Mark+knopfler

Nine albums into a remarkably consistent post-Dire Straits solo career, Mark Knopfler has little to prove aside from living up to his own high standards. That's not to say he's incapable of surprises or the occasional left turn, but the general trajectory of his non-soundtrack output as far back as 2004's Shangri-La has continued to cut a pleasingly familiar groove that fuses his myriad preferences (country, jazz, blues, pub rock, folk, Celtic) into the distinctive brand of understated English roots rock that has become his bailiwick…

Nine albums into a remarkably consistent post-Dire Straits solo career, Mark Knopfler has little to prove aside from living up to his own high standards. That's not to say he's incapable of surprises or the occasional left turn, but the general trajectory of his non-soundtrack output as far back as 2004's Shangri-La has continued to cut a pleasingly familiar groove that fuses his myriad preferences (country, jazz, blues, pub rock, folk, Celtic) into the distinctive brand of understated English roots rock that has become his bailiwick…

Dire Straits leader Mark Knopfler's intricate, introspective finger-picked guitar stylings make a perfect musical complement to the wistful tone of Bill Forsyth's comedy film, Local Hero. This album was billed as a Knopfler solo album rather than an original soundtrack album, with the notation "music … for the film." Knopfler brings along Dire Straits associates Alan Clark (keyboards) and John Illsley (bass), plus session aces like saxophonist Mike Brecker, vibes player Mike Mainieri, and drummers Steve Jordan and Terry Williams…

'The Best of Dire Straits & Mark Knopfler: Private Investigations' is a 2005 best of album. Named after their 1982 hit single, it consists of material by Dire Straits, with songs selected from the majority of the group's six studio albums (excluding the 1979 album Communiqué) from 1978 up to the group's dissolution in 1995…

Scaled smaller than 2012's double-album Privateering, Tracker also feels suitably subtle, easing its way into being instead of announcing itself with a thunder. Such understatement is typical of Mark Knopfler, particularly in the third act of his career. When he left Dire Straits behind, he also left behind any semblance of playing for the cheap seats in an arena, but Tracker feels quieter than his new millennial norm…

With the release of Get Lucky, Mark Knopfler has made as many solo studio albums as he made group studio albums with Dire Straits, which may be a signal that it's time to stop comparing his two careers and simply accept them as separate entities…

Given that Kill to Get Crimson follows Mark Knopfler's yearlong collaboration with Emmylou Harris – inaugurated by the album All the Roadrunning and followed by a tour, subsequently documented on the live set Real Live Roadrunning – it might be reasonable to presume that it bears a slightly heavier folk influence, as if Emmylou had rubbed off on the guitarist…

Last Exit to Brooklyn is a soundtrack album by British singer-songwriter and guitarist Mark Knopfler, released on 3 October 1989 by Vertigo Records internationally, and by Warner Bros. Records in the United States. The album contains music composed for the 1989 film Last Exit to Brooklyn, produced by Bernd Eichinger and directed by Uli Edel…

Nine albums into a remarkably consistent post-Dire Straits solo career, Mark Knopfler has little to prove aside from living up to his own high standards. That's not to say he's incapable of surprises or the occasional left turn, but the general trajectory of his non-soundtrack output as far back as 2004's Shangri-La has continued to cut a pleasingly familiar groove that fuses his myriad preferences (country, jazz, blues, pub rock, folk, Celtic) into the distinctive brand of understated English roots rock that has become his bailiwick…