Traffic

The Last Great Traffic Jam is a live album and DVD from the English rock band Traffic. The album was recorded on the 1994 reunion tour supporting Far from Home…

At only 22 years old, Steve Winwood sat down in early 1970 to fulfill a contractual commitment by making his first solo album, on which he intended to play all the instruments himself. The record got as far as one backing track produced by Guy Stevens, "Stranger to Himself," before Winwood called his erstwhile partner from Traffic, Jim Capaldi, in to help out. The two completed a second track, "Every Mother's Son," then, with Winwood and Island Records chief Chris Blackwell moving to the production chores, brought in a third Traffic member, Chris Wood, to work on the sessions. Thus, Traffic, dead and buried for more than a year, was reborn…

After dispensing with his services in December 1967, the remaining members of Traffic reinstated Dave Mason in the group in the spring of 1968 as they struggled to write enough material for their impending second album. The result was a disc evenly divided between Mason's catchy folk-rock compositions and Steve Winwood's compelling rock jams…

The Low Spark of High Heeled Boys marked the commercial and artistic apex of the second coming of Traffic, which had commenced in 1970 with John Barleycorn Must Die. The trio that made that album had been augmented by three others (Ric Grech, Jim Gordon, and "Reebop" Kwaku Baah) in the interim, though apparently the Low Spark sessions featured varying combinations of these musicians, plus some guests…

The Spencer Davis Group is fondly remembered for their late-1960s singles that featured the deep soul vocals of Steve Winwood, then only a teenager. Singles like "Somebody Help Me," "Keep on Running," "Gimme Some Lovin'," and "I'm a Man" were solid R&B rockers, making The Spencer Davis Group one of the most explosive bands in the so-called British Invasion era…

Throughout a chequered career Arthur Brown has never been one to play by the rules and when the chart topping The Crazy World Of Arthur Brown split nobody knew what the band’s namesake would do next. When he resurfaced several years later it was with the proto-prog, avant-garde Kingdom Come, a band so way out that time is only just catching up. Eternal Messenger: An Anthology 1970-1973 collects the band’s three albums along with a rare jam session and a disc of radio sessions to make the perfect introduction to Arthur Brown’s crazy world…

This is Arthur BROWNn's second album with KINGDOM COME, a self-entitled album released in 1972. So you don't confuse it with any other band called KINGDOM COME (such as the '80s band), look for the album cover that has a crescent and star, and this is the album you'll be looking for…

Jimi Hendrix's third and final album with the original Experience found him taking his funk and psychedelic sounds to the absolute limit. The result was not only one of the best rock albums of the era, but also Hendrix's original musical vision at its absolute apex…

Once Upon A Time is the definitive last word on Family. A long-awaited 14 disc box set that collects the band's entire back catalogue for the first time…

You might know Rikard Sjo¨blom as the mutli-instrumentalist madman behind the microphone of the now-legendary Beardfish, who sang about everything from personal loss to dreams of sneaking into the backstreets of some sleazy '70s disco club…