Bryan+ferry

Hooking up with regular Madonna collaborator Patrick Leonard as the co-producer of this album proved to be just the trick for Ferry. Bete Noire sparkles as the highlight of Ferry's post-Roxy solo career, adding enough energy to make it more than Boys and Girls part two. Here, his trademark well-polished heartache strikes a fine balance between mysterious moodiness and dancefloor energy, and Leonard adds more than a few tricks that keep the pep up. Five out of the nine songs are Ferry/Leonard collaborations; all succeed, from "Limbo"'s opening punch and flow to the cinematic (and unsurprisingly French-tinged) feeling of the title track.

Taxi shows a mature Bryan Ferry, suave and controlled, very much in line with his general career from 1979 on. The choice of songs to cover doesn't make for any surprises – the same selections of classic rock, pop, and soul numbers dominate, with an interesting ringer here and there like "Amazing Grace." As with his other recent solo records, a cast of thousands supports him, ranging from the Grid's Richard Norris on synth programming to Brit guitar legends Robin Trower and Michael Brook, plus vocalist Carleen Anderson. All four feature on the opening "I Put a Spell on You," which manages the neat trick of sounding almost exactly like a Ferry original – what Screamin' Jay Hawkins would have made of it is anyone's guess.

Boys and Girls is Bryan Ferry's sixth solo album, released in 1985 by EG Records. It remains Ferry's only number 1 solo album in the UK and contains two UK top 40 hit singles. It is also Ferry's most successful solo album in the US, having been certified Gold for sales in excess of half a million copies there.

Frantic manages to touch upon virtually every musical style of Bryan Ferry's career. Ferry has proved to be as interested in covering other artists' material as penning original songs, and he straddles a smart mix of originals and covers here. Two brilliant Bob Dylan songs appear among the opening tracks: "It's All Over Now Baby Blue" sees a return to the eclectic, energetic experimentation of Ferry's early albums with Roxy Music as a lush modern swirl of instruments mingles with the singer's stylized vocals and throwback harmonica; "Don't Think Twice It's Alright" completes the Dylan pair, as Ferry intones with confidence and again takes up harmonica over Colin Good's rolling piano.

Frantic manages to touch upon virtually every musical style of Bryan Ferry's career. Ferry has proved to be as interested in covering other artists' material as penning original songs, and he straddles a smart mix of originals and covers here. Two brilliant Bob Dylan songs appear among the opening tracks: "It's All Over Now Baby Blue" sees a return to the eclectic, energetic experimentation of Ferry's early albums with Roxy Music as a lush modern swirl of instruments mingles with the singer's stylized vocals and throwback harmonica; "Don't Think Twice It's Alright" completes the Dylan pair, as Ferry intones with confidence and again takes up harmonica over Colin Good's rolling piano.

1995 anthology, originally released to coincide with the release of the four disc box set Thrill Of It All. Roxy Music began life as a British Art Rock band in the early '70s but by the time they split a decade later, they had matured into a smooth Rock outfit capable of creating some of the most lush, romantic and beautiful music on the Pop charts. Lead vocalist Bryan Ferry carried on the Roxy tradition on his solo albums recorded during and after the band's original 10 year career.

Most Bryan Ferry compilations divide their time between his solo recordings and Roxy Music hits, so 2009’s The Best of Bryan Ferry is noteworthy in how it focuses entirely on his solo work, running from the ‘70s and into the new millennium. At 21 tracks, the collection is generous, so it’s not a surprise that it contains all the hits and staples, from “A Hard Rain’s A-Gonna Fall” and “Let’s Stick Together” to “Slave to Love” and “Kiss and Tell,” with the deluxe edition going one step further and collecting 28 music videos, including many singles that don’t show up on the CD. This DVD is an enticement for the diehards who already own everything on the CD, but seen as just an aural collection, this is the best overview of Ferry’s solo recordings yet assembled.

Bryan Ferry invests considerable time and energy in cover albums (he should, considering that they compose a good portion of his solo catalog), treating them with as much care as a record of original material. He's always found ways to radically reinvent the songs he sings, so it's easy to expect that his collection of pop standards, As Time Goes By, would re-imagine the familiar. Instead, As Time Goes By is his first classicist album, containing non-ironic, neo-traditionalist arrangements of songs associated with the '30s. That doesn't mean it's a lavish affair, dripping with lush orchestras – it's considerably more intimate than that. Even when strings surface, they're understated, part of a small live combo that supports Ferry throughout the record.