David+coverdale

Taken together, David Coverdale's first two post-Deep Purple solo albums, 1977's White Snake and 1978's Northwinds, are rather more subdued and, while not exactly laid-back, more in a mainstream late-'70s rock groove than you might expect from a singer who fronted both Deep Purple and Whitesnake, with pit stops for roots rock, AOR ballads, and gently funky stuff. Taken on their own terms outside of the context of Deep Purple and Whitesnake, they're mediocre listening, the product of a man uncertain about where to take his music as a solo act, without the rock-hard hard rock support of one of his steady bands.

In 2000, David Coverdale was officially a full-time solo artist, but it wasn't like the former Whitesnake and Deep Purple vocalist had never recorded an album by himself – his first solo project, Northwinds, came out in the late '70s. Although not groundbreaking, 2000's Into the Light is a decent solo effort that should please those who admire his '70s and '80s output. In fact, this isn't a radical departure from the British singer's work with Whitesnake and Deep Purple. Instead of attempting to be relevant to the alternate rock scene of 2000, Coverdale sticks with the type of commercial hard rock, arena rock, and power ballads that he is best known for.

Everything about Coverdale/Page, right down to the goofy copping of the Presence artwork, is an attempt to recapture the pompous majesty of Led Zeppelin. It doesn't succeed, of course, but it does leave all of the Zep clones in the dust. Although Jimmy Page plays better here than he has since 1979's In Through the Out Door, there is a conspicuous lack of solos. If you've never liked David Coverdale, his performance will not change your opinion. Both fare better on the rockers; the power ballads tend be slightly tedious. Essentially, Coverdale/Page boils down to a guilty pleasure at its best moments ("Shake My Tree," "Pride and Joy," "Absolution Blues"), but never quite rivals the bold experimentation of Led Zeppelin.

1978's Northwinds, David Coverdale's second solo album after the demise of Deep Purple, is a powerful dose of blues- and R&B-influenced hard rock. This album – the final new release on Purple Records – is also a huge leap forward in quality from the previous year's White Snake, a tentative and generally cautious record. As with White Snake, Northwinds was produced by Deep Purple bassist Roger Glover and is anchored by guitarist Micky Moody and keyboardist Tim Hinckley. Bassist Alan Spenner and drummer Tony Newman comprise the rhythm section. "Keeping on Giving Me Love" is loose and funky and a blowout jam wraps it up.

Coverdale•Page is an album by Whitesnake lead vocalist David Coverdale and former Led Zeppelin and London session guitarist Jimmy Page (as Coverdale•Page), released by Geffen Records on 15 March 1993. The album was recorded at Little Mountain Sound Studios in Vancouver, Criteria Studios in Miami, Granny's House in Reno, Nevada and Abbey Road Studios, London. Recording commenced in the fall of 1991 and concluded in early 1992. It was produced by Jimmy Page, David Coverdale and Canadian record producer, Mike Fraser. Adding to the Led Zeppelin sound of this album was the John Bonham-influence of former Montrose drummer Denny Carmassi. According to David Coverdale, the traffic sign shown on the cover of the album signified "two roads joining to one road.

What many promise, but few can guarantee is what the loud and proud WHITESNAKE have always delivered and with their 12th studio opus The PURPLE Album once again their hard core fans are about to be surprised again by the ‘SNAKE. Recorded & mixed by legendary frontman and Whitesnake founder David Coverdale with Co-Producers Michael McIntyre and Snake guitarist Reb Beach and at Hook City Studios in Reno Nevada, ‘The PURPLE Album’ draws on the songs from the three DEEP PURPLE Mark 3 and 4 studio albums featuring Coverdale. “BURN”, ”STORMBRINGER” and “COME TASTE THE BAND”.

CD+DVD Deluxe Edition (Digipak) includes two studio bonus tracks on CD. DVD includes "Shut Up & Kiss Me" (classic jag version) (VIDEOCLIP), "Shut Up & Kiss Me" (club mix version) (VIDEOCLIP), Behind the Scenes of 'Flesh & Blood' VIDEO + 3 DVD Audio Tracks (Remixes of album tracks). Fresh off celebrating their 40th anniversary, rock legends Whitesnake return with their latest studio album, 'Flesh & Blood'. This album follows the 2011 critically acclaimed studio album 'Forevermore' and 2015's 'The Purple Album', a reimagining of Deep Purple classics from Whitesnake mastermind's David Coverdale's time in that band. The 13 original, visceral tracks on 'Flesh & Blood', the band's 13th studio album, are, luckily for you dear reader, "all killer, no filler", as the saying goes.

Fresh off celebrating their 40th anniversary, rock legends Whitesnake return with their latest studio album, 'Flesh & Blood'. This album follows the 2011 critically acclaimed studio album 'Forevermore' and 2015's 'The Purple Album', a reimagining of Deep Purple classics from Whitesnake mastermind's David Coverdale's time in that band. The 13 original, visceral tracks on 'Flesh & Blood', the band's 13th studio album, are, luckily for you dear reader, "all killer, no filler", as the saying goes. But would you expect anything less from the 'Snakes? Since joining the band four years ago, and just in time for the aforementioned "The Purple Album", Chicago native Joel Hoekstra has really come into his own, not only as a highly impressive axe-slinger, but also as a very accomplished songwriter too, co-writing six of the songs for 'Flesh & Blood' with singer David Coverdale.

Roger Glover, Ronnie James Dio, Jon Lord, David Coverdale, Tony Ashton, Glenn Hughes, Ray Fenwick, Eddie Hardin, John Lawton, and many many more… Deep Purple have always been known for their contributions to the hard rock genre. Despite this heavy reputation, the individual members have all worked outside the rock field from time to time on solo material or sessions, exploring different and often seemingly unlikely musical avenues. This two-disc set brings two such projects together for the first time.

Windows is a live album by Jon Lord and the German conductor and composer Eberhard Schoener. The music and the record are primarily credited to Lord. It was taped at a concert in Munich, (West) Germany on 1 June 1974 and the music is a mix between progressive rock and orchestral late romantic/modernist styles. The piece on the first side, "Continuo on B-A-C-H" is a loose attempt to build on the unfinished triple fugue that closed Johann Sebastian Bach's "Art of the Fugue". The second side of the LP is a three-part composition called "Window". In the liner notes of the LP album Lord makes a comparison between the rhapsodic structure here and the renga tradition of chain composition of poetry in medieval Japan. The music of the middle section was lifted from Lord's earlier crossover effort Gemini Suite (1971).