The acclaim that met Dexter Gordon when he returned to the United States after 14 years in Europe was completely unexpected. Not only did the jazz critics praise the great tenor but there were literally lines of young fans waiting to see his performances. This double CD, recorded during his historic first American tour, improved on the original double LP with the inclusion of previously unreleased versions of "Fried Bananas" and "Body and Soul." Gordon – in a quintet with trumpeter Woody Shaw, pianist Ronnie Mathews, bassist Stafford James, and drummer Louis Hayes – frequently sounds exuberant on these lengthy performances; eight of the ten songs are at least 11 minutes long. The excitement of the period can definitely be felt in this excellent music.
Three Dexter Gordon CD's (which are also available separately) are housed in this particular Black Lion box. The music included on Both Sides Of Midnight, Body And Soul and Take The 'A' Train were performed live during a two-day period at the legendary Copenhagen club Montmartre by the veteran tenor with pianist Kenny Drew, bassist Niels Pederson and drummer Albert "Tootie" Heath. The 15 standards (including two versions of "Blues Walk") find Dexter in typically exuberant form, stretching out (only two numbers are under 8 1/2 minutes) and sounding quite relaxed even at the more rapid tempoes. Gordon's many fans will want this music in one form or another.
A play and an alto saxophonist pulled Dexter Gordon out of West Coast obscurity in 1960 and helped revive the bebop pioneer's career. The play was The Connection, which included a performing jazz band in its cast and inspired a classic original score from Freddie Redd as well as subsequent compositions by Kenny Drew, Cecil Payne, and Cecil Taylor. Gordon was the play's musical director in his hometown of Los Angeles, and some of Gordon's score is documented here. Cannonball Adderley produced the session (and many others for Riverside/Jazzland at the time).
Long before it became de rigeur to release multiple soundtracks for a single film, Columbia allowed Blue Note to release The Other Side of Round Midnight under Gordon's name. The additional album offers more music from the film, including Gordon's sole performance on soprano sax, "Tivoli" - incidentally the only track in the score not played by the same musicians seen in the film - and further outtakes that breathe the same heady atmosphere.
The music included on Body And Soul and Take The 'A' Train were performed live during a two-day period at the legendary Copenhagen club Montmartre by the veteran tenor with pianist Kenny Drew, bassist Niels Pederson and drummer Albert "Tootie" Heath. The 12 standards find Dexter in typically exuberant form, stretching out (only two numbers are under 8 1/2 minutes) and sounding quite relaxed even at the more rapid tempoes. Gordon's many fans will want this music in one form or another.
SteepleChase has released on six CDs the radio broadcasts of Dexter Gordon and his 1964 Quartet (with pianist Tete Montoliu, bassist Niels-Henning Orsted Pedersen and on this volume drummer Rune Carlsson) from Copenhagen's Montmartre Club. In adition to the title cut, Dexter and co. perform "Come Rain or Come Shine," "Where Are You," the fun "I Want to Blow Now" (which Gordon sings) and "Second Balcony Jump." Fans will want all of the releases in this enjoyable and well-recorded series.
A previously unissued Dexter Gordon concert recorded (in superb stereo) in Germany in 1974. This was the first live performance by the NDR band, formerly known as the NDR Studio Band, conducted here by Bosnian trumpeter Dusko Goykovich, who also acted as MC and arranger. The band features guests : Herb Geller, Slide Hampton, Horace Parlan, Tony Inzalaco and Goykovich himself.
Dexter Gordon thrived on the attention of European jazz fans while living there during the 1960s and early '70s, while he also had a wealth of opportunities to record for labels on the continent. This 1975 session for Steeplechase, one of a dozen he made as a leader for the label in the mid-'70s, finds him in top form, accompanied by pianist Tete Montoliu, along with frequent collaborators Niels-Henning Ørsted Pedersen on bass and drummer Billy Higgins. Gordon's big tone carries the brisk treatment of Charlie Parker's "Billie's Bounce," though he inserts a few humorous quotes into his solo as well.
Tenor saxophonist Dexter Gordon had been an expatriate since 1963 when he discovered Europe was where the consistently paying jazz gigs were to be found. In 1976 he returned to the States and began recording for Columbia Records and also embarked on an acting career. Sony Legacy repackaged and re-released six Dexter Gordon albums of that era in their entirety with mini-LP sleeves and original cover art: Homecoming: Live at the Village Vanguard (1976), Sophisticated Giant (1977), Manhattan Symphonie (1978), Live at Carnegie Hall (1978), and Gotham City (1980).
After seeing "Round Midnight," I knew I had to buy the soundtrack, and if you too have seen the movie, you know what I mean. All the recordings on here were recorded live for the movie, which gives it a great intimate feeling. At the same time, the sound quality on this particular CD is surprisingly good.