Geordie

A hard rock band from Newcastle, England, Geordie is mostly known for their lead vocalist, Brian Johnson, who would later join AC/DC. In 1972 and 1973, they had a few hits in the U.K., including the number six single "All Because of You" and "Can You Do It," which reached number 13. Their sound was influenced by British rock bands of the day such as Led Zeppelin, as well as some glam stompers, with Johnson's distinctively abrasive singing strongly in evidence.

Save the World is the third studio album by British glam rock band Geordie. Geordie were a British glam rock band from Newcastle, England, most notably active in the 1970s.. Geordie is mostly known for their lead vocalist, Brian Johnson, who would later join AC/DC. In 1972 and 1973, they had a few hits in the U.K., including the number six single "All Because of You" and "Can You Do It," which reached number 13. Their sound was influenced by British rock bands of the day such as Led Zeppelin, as well as some glam stompers, with Johnson's distinctively abrasive singing strongly in evidence.

A hard rock band from Newcastle, England, Geordie is mostly known for their lead vocalist, Brian Johnson, who would later join AC/DC. In 1972 and 1973, they had a few hits in the U.K., including the number six single "All Because of You" and "Can You Do It," which reached number 13. Their sound was influenced by British rock bands of the day such as Led Zeppelin, as well as some glam stompers, with Johnson's distinctively abrasive singing strongly in evidence.

Save the World is the third studio album by British glam rock band Geordie. Geordie were a British glam rock band from Newcastle, England, most notably active in the 1970s.. Geordie is mostly known for their lead vocalist, Brian Johnson, who would later join AC/DC. In 1972 and 1973, they had a few hits in the U.K., including the number six single "All Because of You" and "Can You Do It," which reached number 13. Their sound was influenced by British rock bands of the day such as Led Zeppelin, as well as some glam stompers, with Johnson's distinctively abrasive singing strongly in evidence.

Five CD round up of pretty much everything recorded by early 70's glam hard rockers Geordie. Includes their four official studio albums - Hope You Like It, Don't Be Fooled By The Name, Save The World and the rare No Good Woman - plus a fifth disc of re-recordings by vocalist Brian Johnson. The 20 page booklet comes complete with a detailed history of the band plus loads of pictures of all relevant record releases including many overseas issues to get the collectors updating their want lists! You can't talk about Geordie without mentioning vocalist Brian Johnson who went onto fame as the frontman of AC/DC whom he joined in 1980 and debuted on the mega-selling Back In Black album.

If glam-era rockers Geordie are remembered for much these days, it is for handing on vocalist Brian Johnson to AC/DC at a time when most observers reckoned both he (and they) were long past their sell-by date. Geordie, in particular, had scarcely been heard of in seven years, failing even to impact on the one recent movement that seemed custom-built for them, the so-called New Wave of British Heavy Metal. But AC/DC knew what they were getting, and anyone casting their ears back to Geordie's prime will realize they weren't kidding themselves. Reiterating (of course) the string of singles that Geordie cut between 1972-1975, The Singles Collection opens with the solid quartet upon which their reputation is still based, the hits "Don't Do That," "All Because of You," "Can You Do It," and "Red Eyed Lady."

The Newcastle quartet's debut album followed hard on the heels of two superlative hit singles. Beyond a passing affection for a Slade-style stomp, "Don't Do That" and "All Because of You" have little in common with the then-prevalent glam sound, but still their pounding hard rock ethos slipped effortlessly into the mood of the day, to portray Geordie as the unabashed hard rockers that even the teenies could enjoy. (Nazareth pulled off a similar coup around the same time.) Following in those same stack-heeled footsteps, Hope You Like It makes few concessions to the band's newfound fame, a raw and raucous slam through 11 songs that only let the bombast slip when they fall into the closing clown time of the traditional "Geordie's Lost His Liggie," a mad singalong that is absolutely captivating.

The Newcastle quartet's debut album followed hard on the heels of two superlative hit singles. Beyond a passing affection for a Slade-style stomp, "Don't Do That" and "All Because of You" have little in common with the then-prevalent glam sound, but still their pounding hard rock ethos slipped effortlessly into the mood of the day, to portray Geordie as the unabashed hard rockers that even the teenies could enjoy. (Nazareth pulled off a similar coup around the same time.) Following in those same stack-heeled footsteps, Hope You Like It makes few concessions to the band's newfound fame, a raw and raucous slam through 11 songs that only let the bombast slip when they fall into the closing clown time of the traditional "Geordie's Lost His Liggie," a mad singalong that is absolutely captivating.

Geordie's second album, 1974's Don't Be Fooled by the Name, was a bit of a letdown after their debut, which merged the swagger of hard rock with the tuneful bombast of blue-collar glam acts typified by Slade. In some respects, Don't Be Fooled suggests Geordie were aiming for something a bit more mature and adventurous than they achieved on their debut, and they didn't entirely fail – they reveal a tough, bluesy side on their cover of "House of the Rising Sun," a number that suits Brian Johnson's industrial-strength pipes, and the "St. James Infirmary" lift in opening cut "Goin' Down" leans toward the same direction.

Chapman has long had a fascination, not just with American music, but the American South and West. So an album explicitly inspired by the country should come as no surprise. The joy is how much it highlights his fabulous guitar picking. “Sweet Little Friend from Georgia” and “Coming of the Roads” might seem relatively straightforward, but the more epic “Swamp” and “Gaddo’s Lake” delve into decidedly complex territory; in fact, the impressionistic “Swamp” is probably the record’s centerpiece. As an instrumental portrait of the southern states it’s loving, very finely honed, and played in a way that reminds you that Chapman is one of the best, and most undervalued, guitarists around. Even if “Jumping Geordie” has its origins on the other side of the Atlantic, it still fits in. For longtime fans, “Indian Annie’s Kitchen” brings back some memories of “Kodak Ghosts,” and throughout small touchstones of blues, country, and jazz slip by.