George+harrison

Teaming with legendary Beatles obsessive Jeff Lynne, George Harrison crafted a remarkably consistent and polished comeback effort with Cloud Nine. Lynne adds a glossy production, reminiscent of ELO, but what is even more noticeable is that he's reined in Harrison's indulgences, keeping the focus on a set of 11 snappy pop/rock numbers. The consistency of the songs remains uneven, but the best moments – "Devil's Radio," "Cloud 9," "Just for Today," "Got My Mind Set on You," and the tongue-in-cheek Beatles pastiche "When We Was Fab" – make Cloud Nine one of his very best albums.

Teaming with legendary Beatles obsessive Jeff Lynne, George Harrison crafted a remarkably consistent and polished comeback effort with Cloud Nine. Lynne adds a glossy production, reminiscent of ELO, but what is even more noticeable is that he's reined in Harrison's indulgences, keeping the focus on a set of 11 snappy pop/rock numbers. The consistency of the songs remains uneven, but the best moments – "Devil's Radio," "Cloud 9," "Just for Today," "Got My Mind Set on You," and the tongue-in-cheek Beatles pastiche "When We Was Fab" – make Cloud Nine one of his very best albums.

Hands down, this epochal concert at New York's Madison Square Garden – first issued on three LPs in a handsome orange-colored box – was the crowning event of George Harrison's public life, a gesture of great goodwill that captured the moment in history and, not incidentally, produced some rousing music as a permanent legacy. Having been moved by his friend Ravi Shankar's appeal to help the homeless Bengali refugees of the 1971 India-Pakistan war, Harrison leaped into action, organizing on short notice what became a bellwether for the spectacular rock & roll benefits of the 1980s and beyond.

George Harrison's albums have been notoriously uneven, but despite the rough patches, his talent for songcraft never really left him, as the compilation The Best of Dark Horse (1976-1989) proves. A 15-song retrospective covering five albums, The Best of Dark Horse contains nearly every gem from 33 1/3, George Harrison, Somewhere in England, Gone Troppo, and Cloud Nine, including "Crackerbox Palace," "All Those Years Ago," "Got My Mind Set on You," "Cloud 9," "When We Was Fab," and the lovely "Blow Away." For most casual fans, the record will be a welcome summation of a hit-and-miss era of Harrison's career.

Released just after George left Apple for his own Dark Horse label (and appearing in stores just in time for the Christmas season of 1976), The Best of George Harrison neatly splits into a side of Harrison solo hits and a side of his Beatles tunes. This is the only solo Beatles hits compilation to rely so heavily upon Fab Four recordings, which is a good indication of how George didn't rack up as many charting singles as John, Paul, or Ringo, but having the Beatles tunes here does paint a fuller portrait of Harrison's work as a singer/songwriter, even if it makes the collection somewhat less useful – after all, most listeners would want a George Harrison compilation to focus on his solo recordings, not the Beatles' hits they already have.

George Harrison and Eric Clapton played twelve concerts in Japan in December of 1991. This was the second solo tour of George Harrison's career, and ended up being his last. Recordings of performances from this tour were released on Harrison's 1992 album Live in Japan. The tour featured mostly Harrison's performances as a lead artist with Clapton taking the lead role in the middle of the shows for four songs.

George Harrison's albums have been notoriously uneven, but despite the rough patches, his talent for songcraft never really left him, as the compilation The Best of Dark Horse (1976-1989) proves. A 15-song retrospective covering five albums, The Best of Dark Horse contains nearly every gem from 33 1/3, George Harrison, Somewhere in England, Gone Troppo, and Cloud Nine, including "Crackerbox Palace," "All Those Years Ago," "Got My Mind Set on You," "Cloud 9," "When We Was Fab," and the lovely "Blow Away." For most casual fans, the record will be a welcome summation of a hit-and-miss era of Harrison's career.

Neal Morse (vocals, keyboard, guitar), Mike Portnoy (drums, vocals) and Randy George (bass, keyboards) are each widely acclaimed as progressive rock musicians in their own fields, but fans worldwide know that, together, they can always be relied upon to create aparticular magic. On their Cover To Cover series, the trio has covered songs from such greats as, Paul McCartney, Cream, The Who, Jethro Tull, Steely Dan, and many more. They also have also covered some prog classics from the likes of King Crimson and Yes. Cover To Cover Anthology (Vol.1-3) brings together all 3 albums, including the brand new 'Cov3r to Cov3r' as well as remastered & resequenced versions of the first two releases, across 3CD's.

Conventional wisdom holds that the Beatles intended Abbey Road as a grand farewell, a suspicion seemingly confirmed by the elegiac note Paul McCartney strikes at the conclusion of its closing suite. It’s hard not to interpret “And in the end / the love you take / is equal to the love you make” as a summation not only of Abbey Road but perhaps of the group’s entire career, a lovely final sentiment. The truth is perhaps a bit messier than this. The Beatles had tentative plans to move forward after the September 1969 release of Abbey Road, plans that quickly fell apart at the dawn of the new decade, and while the existence of that goal calls into question the intentionality of the album as a finale, it changes not a thing about what a remarkable goodbye the record is.