Heart

Heart Presents a Lovemongers' Christmas is a Christmas album and the twelfth studio album by Heart. The album was originally released in October 1998 with the title Here Is Christmas, as the second album of the Lovemongers, a side project involving Ann and Nancy Wilson, their longtime friend and collaborator Sue Ennis and Frank Cox…

After acquiring a substantial following with Dreamboat Annie, Heart solidified its niche in the hard rock and arena rock worlds with the equally impressive Little Queen. Once again, loud-and-proud, Led Zeppelin-influenced hard rock was the thing that brought Heart the most attention…

On The Road Home, Heart re-records some of their biggest hits acoustically live in concert. It's interesting to hear these arena rock and AOR standards – including "Barracuda," "Crazy on You," "Dreamboat Annie," and "All I Wanna Do Is Make Love to You" – recast as intimate numbers…

True, Heart were trying to progress following the hard-rocking Bebe Le Strange so it could be said that Private Audition and its followup Passionworks were a transition stage. That said, it's actually not a bad album. The writing is good, but not at the heights of Dreamboat Annie or Dog & Butterfly…

When Desire Walks On came out in 1993, a lot of arena rock, pop-metal and hair metal artists felt like the rug was being pulled out from under them. Alternative rock had become rock's primary direction, and bands like Heart were being made to feel antiquated and passé…

2012 has been quite a year for Heart's Ann and Nancy Wilson. In June, the multi-disc box set retrospective Strange Euphoria was released. It was followed in September by the publication of their memoir, Kicking & Dreaming: A Story of Heart, Soul and Rock and Roll. And in October comes Fanatic, a brand new studio offering…

Some classic rock reunions are driven by marketing, some driven by a desperate need to reconnect to the past, some exist merely for the music. Red Velvet Car, Heart’s first album since 2004’s Jupiter’s Darling, belongs to the latter camp: it’s music with no seeming commercial aspirations, music that is connected to the past but doesn’t strive to replicate it…

Switching from Epic to Capitol with 1985's Heart proved to be a wise move for the Wilson sisters, who experienced a major resurgence in popularity and gained many new followers. Heart's arena rock sound had become even glossier, and the band was selling more albums than ever…

1983's Passionworks marked the end of an era for Heart; it was the last album that the Wilson sisters recorded for Epic, where they had recorded late-'70s classics like Little Queen and Dog & Butterfly. Unfortunately, Heart's relationship with Epic had turned sour by 1983; in a 1987 interview, Ann Wilson asserted that Epic didn't do nearly enough to promote either Passionworks or 1982's Private Audition…

In the decade since their last studio outing, Heart's Ann and Nancy Wilson have apparently done some soul-searching and meditating on what made Heart such a great band in the first place. At their peak, they were a powerful, obsessively compelling rock band that could knock off hit singles and consistently fine albums that appealed to album rock radio junkies and studious type…