Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. A tight quartet set from the great Lou Donaldson – cut in the early 80s and his first set for the Timeless label! Donaldson is of course unforgettable, always sounding his finest in quartet form – here doing his thing with passion with Herman Foster on piano, Geoff Fuller on bass and Victor Jones on drums. Titles include "Confirmation", "Whiskey Drinkin' Woman", "This Is Happiness", "Exactly Like You", "Don't Blame Me", "Melancholy Baby" and Donaldson's terrific centerpiece "Tracy".
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Out of hundreds of jazz CD's I own or have heard, this will always rank in my top ten. Recorded in 1981 with the awesome lineup of - Art Blakey (drums), Charles Fambrough (bass), Wynton Marsalis (trumpet), Bill Pierce (tenor sax), Bobby Watson (alto sax), and James Williams (piano). A little over 42 minutes long, this disc is as perfect as it gets and there is absolutely no filler! It's incredible to hear Blakey play… he is so good that he keeps a perfect rhythm going but then inserts offbeat syncopated and ghost beats on top of it. His style of playing always amazes me. Of course the rest of the band kick serious tail also and never miss a beat. Great tunes, outstanding arrangements, awesome solos, what else is there?
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Maybe the only album we've ever seen from Henny Vonk – a jazz singer with a Dutch name, but a style here that's right up there with some of the hipper American singers of the period – especially those who know how to move on the hipper currents of the spectrum! At some level, Henny's got a way of stretching out her words while inflecting them, with a vibe that's reminiscent of Sheila Jordan – but overall, Vonk's maybe a straighter jazz singer, too – but one with a nicely sensitive vibe, as her vocals are balanced out with the introspective piano work of Rov Van Den Broeck. The rhythm duo adds a nice current of soul from time to time – with Clint Houston on bass and Billy Higgins on drums – and many cuts have new lyrics written for the album.
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. A seminal work in the development of the career of Cedar Walton – the formation of his excellent Eastern Rebellion ensemble, a group that became a platform for soul jazz expression for the next two decades! The group on this set features George Coleman on tenor, Sam Jones on bass, and Billy Higgins on drums – all working in territory that Walton and Clifford Jordan were exploring heavily at the time – long, drawn-out soul jazz tunes – frequently built upon modal rhythms, and touched with traces of post-Coltrane blowing. The key factor, though, is that the work's never too outside, never too overindulgent – just hard-swinging soul jazz, in a 70s expression of the older Blue Note ideal! Titles include "Bolivia", "5/4 Thing", "Mode For Joe", and "Naima".
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Ferdinand Povel's one of those players we never seem to get enough of – a tenorist who may not be one of the bigger stars on the European scene, but one who always finds a way to serve up something special! Povel's got a nice edge in his horn at times – a mode that's always inside, but often sharply spoken – even when he's going for some mellower moments too – a bit of old school bite in the way he approaches the reed, maybe – and a definite sense of attack that really comes on when he's in a more swinging mode! The group here has some great guitar from Wim Overgaauw, whose ringing tones bring a bright balance between Povel's horn and the piano of Frans Elsen – and the rest of the group features Victor Kaihatu on bass and Ruud Pronk on drums.
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. A bold statement by one of the best underground jazz players of the 70s! Carter Jefferson cut his chops with Art Blakey in the years after Blakey had Billy Harper in the group, and as a loose way of describing him, Jefferson has a very spiritual post-Coltrane sensibility that closely resembles Harper's playing at times. Carter's recorded here in two different groups – one with Terumasa Hino on trumpet, and one with Shunzo Ono on trumpet – and the session has a nice spiritual edge, and lots of good original compositions. Tracks include "Why", "Rise Of Atlantis", "Blues For Wood", and "Changing Trains".
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. The second trip into the studio for Cedar Walton's mighty Eastern Rebellion ensemble – and every bit as great as the first! This time around, the lineup's a bit different – with Bob Berg in on tenor, and Curtis Fuller expanding the group on trombone – but the groove is still the same – wonderfully in the pocket soul jazz, swinging with a gentle and fluid glide that's really tremendous. The work ranks up there with the best of Walton's recordings ever – and the tunes are all originals with a rich imagination for tone, soul, and color – and plenty of space for strong solo work. Titles include "The Maestro", "Sunday Suite", "Ojos De Rojo", "Fantasy In D", and "Clockwise".
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. A beautiful big band set from the great Art Blakey – but one that's got all the sharp focus of his small group sides by the Jazz Messengers! The lineup here is a great one – that very vibrant early 80s version of Blakey's group with Bobby Watson on alto sax, Bill Pierce on tenor, and James Williams on piano – augmented by Kevin Eubanks on guitar, Valerie Ponomarev on trumpet, and the Marsalis brothers rounding out the set with some extra horn work! The sound is strong and proud, and handled by Blakey with a tightness that's similar to his smaller group work of the time – but with a power that's simply incredible – especially when Watson's presence is made known on his tunes "Wheel Within A Wheel", "Linwood", and "Bit A Bittadose". Also features a take on Williams' "Minor Thesis".
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. The quality of Chet Baker's product was so varied during the last decade or more of his life that recording sessions varied markedly. For this "remixed version" of Mr. B Baker sounds a tad tired, though his chops are in fine form. The studio recording captures the trumpeter with highly sympathetic and self-effacing pianist Michel Grallier and bassist Ricardo Del Fra, both of whom engage in the leader's brand of sensitivity. There are no vocals by the trumpeter, but plenty of improvising.
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. A great title for this one – given the extremely poetic sound of Tommy Flanagan on the piano! For years, Tommy's had a great talent for being as bopper, yet as sensitive as a mellower, more lyrical player too – a brilliant combination that shows up instantly in the first few notes of this set – a late 80s recording that's filled with warmth and subtle imagination. The trio features George Mraz on bass and Kenny Washington on drums – the latter of whom really gets things swinging in some great gentle ways – and titles include "Raincheck", "Lament", "Caravan", "Voce Abuso", "Mean Streets", and "That Tired Routine Called Love".