Minimum-Maximum is the first official live album release by Kraftwerk, released in June 2005, almost 35 years after the group gave their first live performance.
During the mid-'70s, Germany's Kraftwerk established the sonic blueprint followed by an extraordinary number of artists in the decades to come. From the British new romantic movement to hip-hop to techno, the group's self-described "robot pop" – hypnotically minimal, obliquely rhythmic music performed solely via electronic means – resonates in virtually every new development to impact the contemporary pop scene of the late- 20th century, and as pioneers of the electronic music form, their enduring influence cannot be overstated…
Released to coincide with Kraftwerk's forthcoming June 2017 tour - their first UK dates since the breathtaking shows witnessed at the Tate Modern in 2013 - Atlantic Records is proud to announce the release of Kraftwerk 3-D: The Catalogue on May 26th. This is the ground-breaking 3-D Kraftwerk concert brought thrillingly to life developed using high definition 3-D with Dolby Atmos surround sound and presented to the technological and audio standards one would associate and indeed come to expect from the pioneering Germans led by founder Ralf Hütter…
Although Kraftwerk's first three albums were groundbreaking in their own right, Autobahn is where the group's hypnotic electronic pulse genuinely came into its own. The main difference between Autobahn and its predecessors is how it develops an insistent, propulsive pulse that makes the repeated rhythms and riffs of the shimmering electronic keyboards and trance-like guitars all the more hypnotizing…
The Man-Machine is closer to the sound and style that would define early new wave electro-pop – less minimalistic in its arrangements and more complex and danceable in its underlying rhythms…
Although Autobahn was a left-field masterpiece, Trans-Europe Express is often cited as perhaps the archetypal (and most accessible) Kraftwerk album. Melodic themes are repeated often and occasionally interwoven over deliberate, chugging beats, sometimes with manipulated vocals; the effect is mechanical yet hypnotic…
A concept album exploring themes of broadcast communications, Radio-Activity marked Kraftwerk's return to more obtuse territory, extensively utilizing static, oscillators, and even Cage-like moments of silence to approximate the sense of radio transmission; a pivotal record in the group's continuing development, the title track – the first they ever recorded in English – is their most fully realized electro-pop effort to date, while "The Voice of Energy" precipitates the robot voice so crucial to their subsequent work.
Parlophone are releasing Kraftwerk: 3-D The Catalogue, an audio/video document – available in a number of physical editions – that features all eight albums as performed live in the leading museums of the world in the last few years…
3-D The Catalogue is the second official live album by German electronic music band Kraftwerk. It was released on 26 May 2017 and was released on several formats. According to the liner notes, the album documents Kraftwerk's 1 2 3 4 5 6 7 8 tour at various museums and concert halls around the world…