Most of us know Lalo Schifrin for his jazz music and scores to Dirty Harry and Bullitt. That's how I first became aware of him and found other scores of his over the years that are completely different. THX 1138 is definitely one of those scores. Sure there are some jazz cues in here but mostly this score is more laid back, in a sense that is underscores the forbidden romance and mystery of the world this movie projects.
For the first jazz release on his self-run Aleph label, Schifrin flew to Cologne, Germany to record this solid remake of Gillespiana, his 1960 five-movement concerto for Dizzy Gillespie with which Schifrin had been touring earlier in 1996. Designed to illustrate the sources that inspired Gillespie's music, the work remains one of the chameleonic Schifrin's best in a big-band idiom, particularly the dynamic Afro-Cuban-flavored blues "Toccata" that closes the concerto.
The Liquidator (1966) was an MGM spy spoof starring Rod Taylor as "Boysie" Oakes, a cowardly assassin who takes orders from Trevor Howard and falls for Howard's secretary, future "Bond girl" Jill St. John. The film was a black-comic look at the secret agent milieu popularized by the James Bond series, filmed in England and on the French Riviera, directed by noted cinematographer Jack Cardiff, and based on the novel by John Gardner. Scoring The Liquidator soundtrack was Lalo Schifrin - the composer who would become iconic for another '60s spy franchise, Mission: Impossible. The Liquidator was one of Schifrin's first feature-film assignments, which he tackled with his characteristic jazz/symphonic panache, combining eclectic, tuneful source cues with dramatic, avant-garde score - all with a gloriously '60s flair. Schifrin did not attempt to emulate the James Bond scores, but provided his own sense of danger and excitement, making use of many of England's finest jazz players.
Though it may seem unlikely that Frank Zappa had much of an influence on the work of Lalo Schifrin, one can detect some cultural crossover on There's a Whole Lalo Schifrin Goin' On. Schifrin was as much a jazz-pop genius as ever, but on this album rock rhythms, musical satire, sound effects, and exotica are all used as camp in a way that is eerily reminiscent of Zappa's more thoughtful efforts. Schifrin being Schifrin, every cut has a distinct and catchy melody, but there are whimsical and satirical themes embedded in the music. Nowhere is this more obvious than in "Hawks Vs. Doves," in which a cheery carnival-like theme is played in counterpoint to a martial air, each interfering with the other.
Flush with popular successes that spanned film (the Oscar nominated score for Cool Hand Luke Bullitt ) and TV (the Grammy-winning Mission: Impossible, Mannix) Argentine-born composer Lalo Schifrin infused director Don Siegel's original, epochal Dirty Harry with one of the 70's most riveting, consistently original jazz-fusion scores. It was also one that, until now, was only available in mono-mixed snippets on obscure compilations; this release marks the full-score's first, three-decade-overdue release (remixed in stereo for the first time and including alternate takes).
Limited Collector's Edition of 1000 copies. World Premiere Release. 70 minutes of music never released before. 8-page CD booklet with liner notes by Gergely Hubai. In order to celebrate its 50th CD release, Music Box Records is very proud to present the original soundtrack from Golden Needles (1974) by Lalo Schifrin. Capitalizing on the early ‘70s kung-fu craze, the film tells the story of a mysterious statue which contains the secret location of acupuncture points that may cure many illnesses – or lead to instant death if they are applied in the wrong order. When rival gangs start a fierce hunt after the statue, it’s up to Dan (Joe Don Baker) to get the statue for the mysterious girl who had hired him. Briefly teaming up with blaxploitation icon Jim Kelly, Baker is ready to deliver swift punches, escape death traps and throw people across panes until he gets what he wants…
Recorded 1955, 1959, 1962. This set presents five complete albums from the initial years of Lalo Schifrin's career as a leader: "Lalo=Brilliance: The Piano of Lalo Schifrin" (Roulette SR 52088); "Bossa Nova: New Brazilian Jazz (Audio Fidelity AFLP-1981)"; "Insensatez [aka Piano, Strings & Bossa Nova] (MGM SE-4110); "Piano Español: The Magic Touch of Lalo Schifrin, His Piano & Orchestra" (Tico LP-1070), and "Rendez-Vous Dansant a Copacabana" (Vogue LD-236). Born in Argentina, Schifrin was gaining fame as a member and arranger of Dizzy Gillespie's Quintet and Big Band during these formative years. He is backed on these albums by such important guitarists as Jim Hall and Jimmy Raney, plus the brilliant saxophonist Leo Wright from Gillespie's formation.
Aleph Records is proud to release Lalo Schifrin: My Life in Music, a four-CD boxed set of music from the legendary composer's career in film, jazz, and classical music. The set features music from three-dozen films, jazz and symphonic pieces composed by Schifrin, and unreleased music from films including Charley Varrick, The Beguiled, Joe Kidd, and Coogan's Bluff. Along with over five hours worth of music, a forty-eight page book is included with archival photos and notes.
A very unusual early chapter in the career of Lalo Schifrin – and a record that's a fair bit different than most of his famous bossa, jazz, and soundtrack work! The sound here is much more New York Latin than the Brazilian modes that show up in other Schifrin work – with orchestrations that nicely set the scene for bolder piano lines on the keys – often in a style that's a bit more dramatic than you'd expect from Lalo, and underscored by some great hard percussion at the bottom! Most tunes are quite lively, with a really crackling Latin groove – and titles include "Jungle Fantasy", "Hulablues", "Caravan", "Capricho Espanol", and "El Cumbanchero".
As jazz became a popular element of film scores during the 1960s and 1970s, jazzman turned film composer Lalo Schifrin rose to prominence by penning notable jazz-inflected scores for films such as Bullitt and Dirty Harry. In 1973, he tackled a new challenge by writing the score for Enter the Dragon, an ambitious martial arts film that was the American debut of cult legend Bruce Lee. The resulting score combined Schifrin's penchant for adding jazz and funk elements to the traditional film scoring style with elements of traditional Chinese music, giving the whole combination a new, ethnic flavor.