Metal+church

Formed Seattle in 1982, Metal Church consisted of vocalist David Wayne, guitarists Kurdt Vanderhoof and Craig Wells, bassist Duke Erickson, and drummer Kirk Arrington. Their 1985 self-titled debut album, recorded when the thrash/speed metal genre was still evolving, made a huge splash on the scene, as did its similar follow-up, The Dark…

Throughout the historical timeline of heavy metal, the 1980s is and will always be a hallmark decade spawning countless artists, many of whom are still active today. Metal Church is one such band that has maintained a fairly consistent stream of output since their debut album in 1984…

Power metal veterans Metal Church got a real boost with Mike Howe re-joining the legendary power metal band from the west coast. "XI" was a fantastic studio album that was followed by mind-blowing live shows, presenting a band that's celebrating metal with each note played…

The 11th studio long-player from the veteran hard rockers, the aptly, though rather lazily, named XI marks the return of vocalist Mike Howe to the Metal Church fold – Ronny Munroe left the group in 2014 to "pursue other interests." Hearing Howe's sinister and instantly recognizable banshee wail reunited with showrunner/guitarist Kurdt Vanderhoof's taut, melodic riffing is a thrill, especially for longtime fans…

Many seem compelled to call The Antichrist the 'comeback' album for Destruction, but this not chronologically nor logically the case. The sound here is one lifted straight from its predecessor, All Hell Breaks Loose, but pummeled into perfection…

The Diablo Swing Orchestra dates back to 1501 in Sweden, where history tells the tale of an orchestra that played like no other. With music so seductive and divine that the ensemble overwhelmed audiences all over the country, and people from all social classes took them to their hearts. Their performances rapidly earned a reputation of being feral and vigorous and gained the orchestra a devoted crowd that followed them around…

First things first: of course it's better than Results May Vary. How could it not be? But let's not get ahead of ourselves – Charmbracelet is better than Glitter, Generation Swine is better than that pseudo-industrial Mötley Crüe album without Vince Neil, but that doesn't mean you'd want to listen to any of them. But The Unquestionable Truth, Pt. 1 – whose title threatens a sequel and suggests a concept album – is certainly a comeback of sorts for Limp Bizkit…

Over four hours of Heavy Metal, Hard Rock, Thrash Metal, Progressive Rock, Disco, Industrial Rock and so on, masterfully brought into being by the most beloved horde of monsters in the world of music…

Many seem compelled to call The Antichrist the 'comeback' album for Destruction, but this not chronologically nor logically the case. The sound here is one lifted straight from its predecessor, All Hell Breaks Loose, but pummeled into perfection. That album was a fresh act of violence borne from a stagnant musical relationship, while this is like a freight train hitting you at a thousand miles an hour, a mushroom cloud being formed over your conscience, an instant window to everything you loved about this band in the 80s and then some…