The Kinks were one of the most important bands from the "British Revolution" in the sixties. The band, based in Muswell Hill in London, consisted of the brothers Davies, (Ray and Dave), Mick Avory and Pete Quaife. During their existence they have played different styles of rock('n'roll) music. Interesting were their lyrics, usually about the lower class of society. Singer Ray Davies has always had a fascination for the ordinary people. After two flops they had their first big hit in 1964: You Really Got Me. This song had a rough guitar riff, that's why some people even call it the first heavy metal song ever. They kept scoring hits after that, timeless songs like Sunny Afternoon, Waterloo Sunset, Lola and All Day And All Of The Night…
Originally released as a double-album set in 1986, just after the Kinks had their last run at chart success, Come Dancing With the Kinks (The Best of the Kinks 1977-1986) does an excellent job of summarizing their stadium rock and AOR radio favorites on Arista. It leaves no single or radio favorite behind, while adding such terrific obscurities as "Long Distance" (originally only released as a bonus track on the State of Confusion cassette; the early '80s were a completely different world than the late '80s), the non-LP single "Father Christmas," the wonderfully sentimental album track "Better Things" (a close, upbeat cousin to Dylan's "Forever Young"), and the charming "Heart of Gold." In addition to these, there are live takes of "You Really Got Me" and "Lola" taken from the fine One From the Road album. It winds up being a representative selection of the Kinks' time as stadium warriors.
Orchestral and choral arrangements of rock songs have been a curious subgenre ever since the mid-'60s when Andrew Loog Oldham arranged The Rolling Stones Songbook for syrupy strings, but The Kinks Choral Collection stands apart from the pack for the simple reason that it's not the project of some associate or admirer, but rather chief Kink Ray Davies. His very presence as arranger and lead vocal means The Kinks Choral Collection isn't nearly as stuffy and middlebrow as so many of these orchestral rock albums; he manages to inject some semblance of rock & roll by pushing the songs forward with guitar, and letting the rhythms swing instead of plod.
The hugely well-respected and historically important Kinks seventh studio album Arthur Or The Decline And Fall Of The British Empire was released on 10th October 1969, and celebrates its 50th anniversary on 2019. 'Rock musical' in style and one of the most effective concept albums in rock history, the album was constructed by Kinks' frontman Ray Davies as the soundtrack to a subsequently cancelled Granada Television play. The album receiving almost unanimous acclaim upon its release. Rolling Stone 1969 - "Arthur is a masterpiece on every level, Ray Davies' finest hour. The Kinks' supreme achievement and the best British album of 1969". Melody Maker 1969 - "Ray Davies' finest hour … beautifully British to the core"…
The Kinks Are The Village Green Preservation Society 50th anniversary editions are out on 26 October 2018. 2CD deluxe ‘art of the album’ features the stereo and mono remasters and bonus tracks (49 tracks in total). The Kinks Are The Village Green Preservation Society somewhat overlooked upon its release in November 1968, The Kinks Are The Village Green Preservation Society is now seen as one of the best British albums ever recorded. Created in difficult circumstances by a band who refused to follow fashion, it is an album of timeless, perfectly crafted songs about growing up and growing old, and the decline of national culture and traditional ways. Enduring and unsurpassed, with its wit, sadness, quiet anger, regret and charm, it is generally considered the high point of The Kinks’ outstanding career and Ray Davies’ masterpiece.
The first disc of a 1986 two-part CD anthology, utilizing masters provided by PRT. The two discs comprised the Japanese-market edition of the "Kinks Greatest Hits" anthology that was issued in the UK and Europe. Although they weren't as boldly innovative as the Beatles or as popular as the Rolling Stones or the Who, the Kinks were one of the most influential bands of the British Invasion. Like most bands of their era, the Kinks began as an R&B/blues outfit. Within four years, the band had become the most staunchly English of all their contemporaries, drawing heavily from British music hall and traditional pop, as well as incorporating elements of country, folk, and blues.
The Kinks are recognised as one of the most important and influential British groups of all time, with millions of record sales and countless awards and accolades to their name. From their explosive beginnings as part of the British Beat movement to forays into concept albums, stadium rock and acoustic balladeering, The Kinks have left an unimpeachable legacy of classic songs, many of which form the building blocks of popular music as we know it today.
The Kinks were one of the most important bands from the "British Revolution" in the sixties. The band, based in Muswell Hill in London, consisted of the brothers Davies, (Ray and Dave), Mick Avory and Pete Quaife. During their existence they have played different styles of rock('n'roll) music. Interesting were their lyrics, usually about the lower class of society. Singer Ray Davies has always had a fascination for the ordinary people. UK Jive is the twenty-second studio album by the English rock group, the Kinks, released in 1989. It was the first album in almost three years since the 1986 album, Think Visual. At this point, it was the longest gap between album releases since the inception of the group. It is a concept album about modern day society.
The "storyteller" concept was ideal for aging singer/songwriters, letting them run through their back catalog and illuminate the origins of their best-known songs with stories and anecdotes. Ray Davies essentially invented the concept on his promotional tour for his semi-fictional memoir X-Ray, and his concerts were so successful, they eventually provided the basis for the VH1 series Storyteller. It also led to Storyteller, his first solo album since the soundtrack to Return to Waterloo. Like that album, it has a sound very similar to the Kinks – which shouldn't be surprising, since Davies was the musical force behind the band – but it's considerably more engaging than Return to Waterloo.
Mott the Hoople were one of the great also-rans in the history of rock & roll. Though Mott scored a number of album rock hits in the early '70s, the band never quite broke through into the mainstream. Nevertheless, their nasty fusion of heavy metal, glam rock, and Bob Dylan's sneering hipster cynicism provided the groundwork for many British punk bands, most notably the Clash. At the center of Mott the Hoople was lead vocalist/pianist Ian Hunter, a late addition to the band who developed into its focal point as his songwriting grew. Hunter was able to subvert rock & roll conventions with his lyrics, and the band – led by guitarist Mick Ralphs – had a tough, muscular sound that kept the group firmly in hard rock territory, even when flirting with homosexual imagery and glammy makeup.