Thelonious+monk

Thelonious Monk - Thelonious Monk With John Coltrane (1957) {OJC Remasters Complete Series rel 2010 - item 01of33}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 236 Mb | MP3 @320 -> 108 Mb
Full Artwork @ 600 dpi (png) -> 535 Mb | 5% repair rar | 24bit remaster
© 1957, 2010 Jazzland / Concord | 0888072319899
Jazz / Bop / Post Bop / Piano

An extension of the popular Original Jazz Classics series (est. 1982), the new OJC Remasters releases reveal the sonic benefits of 24-bit remastering-a technology that didn't exist when these titles were originally issued on compact disc. The addition of newly-written liner notes further enhances the illuminating quality of the OJC Remasters reissues. "Each of the recordings in this series is an all-time jazz classic," says Nick Phillips, Vice President of Jazz and Catalog A&R at Concord Music Group and producer of the series.

Dizzy Gillespie & Thelonious Monk with the Giants of Jazz - Unissued In Europe 1971 (2008) {2CD Set Gambit Records 69301}
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© 1971, 2008 Gambit Records | 69301
Jazz / Bop / Hard Bop / Piano / Trumpet

Two CD release featuring some of the greatest Jazz figures together on one stage! This double set contains three of the nearly 50 concerts played by the so called Giants of Jazz, a true all-star group organized by Jazz producer George Wein that toured Europe in 1971 and 1972. Alongside Thelonious Monk and Dizzy Gillespie, these sets feature musical contributions from Sonny Stitt, Kai Winding and Art Blakey. Disc One was recorded in Poland and Germany. Disc Two was recorded in Italy.

Thelonious Monk - Thelonious Monk Plays Duke Ellington (1955) {2007 Riverside} [Keepnews Collection Complete Series] (Item #1of27)
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Full Artwork @ 600 dpi (png) -> 304 Mb | 5% repair rar | 24-bit remastering
© 1955, 2007 Concord / Riverside | 0888072301283
Jazz / Bop / Piano

Remastered in 24-bit from the original master tapes. Part of our Keepnews Collection, which spotlights classic albums originally produced by the legendary Orrin Keepnews. For Monk’s debut Riverside date, Keepnews decided to ease the pianist into what turned out to be his lengthy association with the label by asking him to momentarily set aside his own compositions and instead play Duke Ellington tunes. He did so in the company of the esteemed rhythm section of bassist Oscar Pettiford and drummer Kenny Clarke. With his distinctively angular style, Monk nails Ellington’s best-known tunes such as “It Don’t Mean a Thing (If It Ain’t Got That Swing),” “Mood Indigo” and “Caravan.”

Thelonious Monk - The Complete London Collection (1971) {3 Volumes Set, Black Lion BLCD 7601-2 rel 1999}
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© 1971, 1999 Black Lion | BLCD 7601-2
Jazz / Bop / Post Bebop / Modal Jazz / Piano

This attractive box houses three previously released Black Lion CDs recorded at pianist/composer Thelonious Monk's final sessions as a leader; only a few dates with the Giants of Jazz were left in the future for Monk, who would soon retire altogether. Heard in unaccompanied piano solos and in a trio with bassist Al McKibbon and drummer Art Blakey, Monk is in surprisingly exuberant form, still very much at the peak of his powers. Although most of this music was last available in a "complete" Mosaic LP box set, there are actually three additional alternate takes included in the very enjoyable and somewhat definitive set. Highlights include "Little Rootie Tootie," "Meet Me Tonight in Dreamland," "Blue Sphere," "Criss Cross," "The Man I Love" and "Evidence," but all 29 selections are well worth hearing. This is essential music for all serious Thelonious Monk collections; the solo performances in particular are quite memorable.

Thelonious Monk - The Complete Black Lion and Vogue Recordings (1989) {3CD Set Mosaic MD3-112 rec 1954, 1971}
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© 1954, 1971, 1989 Black Lion / Vogue / Mosaic Records | MD3-112
Jazz / Bop / Modal Jazz / Piano

The recordings gathered in this package have been issued in a multitude of ways and are available in a number of configurations. The audiophile jazz label Mosaic Records issued The Complete Vogue Recordings/The Black Lion Sessions on vinyl initially, later releasing the title as a slightly expanded three-CD package. Chronologically, the earlier of the two sets consists of the Vogue recordings from June 7, 1954. The Black Lion sides are divided between a second batch of solo works as well as a trio session – featuring Al McKibbon (bass) and Art Blakey (drums) – both of which were cut on November 11, 1971.

Thelonious Monk - Thelonious Alone In San Francisco (1959) {OJC Remasters Complete Series rel 2011, item 20of33}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 229 Mb | MP3 @320 -> 108 Mb
Full Artwork @ 600 dpi (png) -> 481 Mb | 5% repair rar | 24-bit remaster
© 1959, 2011 Riverside / Concord | 0888072328440
Jazz / Bop / Modal Music / Piano

An extension of the popular Original Jazz Classics series (est. 1982), the new OJC Remasters releases reveal the sonic benefits of 24-bit remastering-a technology that didn't exist when these titles were originally issued on compact disc. The addition of newly-written liner notes further enhances the illuminating quality of the OJC Remasters reissues. "Each of the recordings in this series is an all-time jazz classic," says Nick Phillips, Vice President of Jazz and Catalog A&R at Concord Music Group and producer of the series.

Thelonious Monk - The Columbia Years '62-'68 {3CD Set Columbia–Legacy rel 2001}
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© 1962-68, 2001 Columbia / Legacy / Sony Music | 5099751 76882 1
Jazz / Bop / Post Bop / Piano

This aptly titled triple-disc compilation examines Thelonious Monk's final years as an active recording artist. The Columbia Years: 1962-1968 is a superior primer for those seeking a thorough overview of this fertile, expressive, and oft-maligned period of Monk's career. In addition to embracing the bright moments from Monk's early- to mid-'60s studio and live releases, compilation producer Orrin Keepnews – Thelonious' original recording producer during his formidable tenure on the Riverside label – has included several restored performances and a few previously unissued pieces as well.

Thelonious Monk - Thelonious Himself (1957) {2008 Riverside} [Keepnews Collection Complete Series] (Item #24of27)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 283 Mb | MP3 @320 -> 159 Mb
Full Artwork @ 600 dpi (png) -> 278 Mb | 5% repair rar | 24-bit remastering
© 1957, 2008 Concord / Riverside | 0888072305106
Jazz / Bop / Piano

Orrin Keepnews' commentary (from his new liner notes): "This, you might say, is an album of undiluted Monk. Like most generalizations, that wouldbe putting things a bit too simply, but the core of truth is there. For, with the deliberate exceptionof the final selection, this is literally Thelonious Himself—Monk, alone in the recording studio, offering highly personal versions of some standards and some of his own tunes.

Thelonious Monk - Monk's Music (1957) {OJC Remasters Complete Series rel 2011, item 11of33}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 399 Mb | MP3 @320 -> 148 Mb
Full Artwork @ 600 dpi (png) -> 431 Mb | 5% repair rar | 24-bit remaster
© 1957, 2011 Riverside / Concord | 0888072326897
Jazz / Bop / Piano

An extension of the popular Original Jazz Classics series (est. 1982), the new OJC Remasters releases reveal the sonic benefits of 24-bit remastering-a technology that didn't exist when these titles were originally issued on compact disc. The addition of newly-written liner notes further enhances the illuminating quality of the OJC Remasters reissues. "Each of the recordings in this series is an all-time jazz classic," says Nick Phillips, Vice President of Jazz and Catalog A&R at Concord Music Group and producer of the series.

Thelonious Monk - The Complete Riverside Recordings (1988) {15CD Riverside Victor Japan VDJ-25010~24 rec 1955-1961}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 4.97 Gb | MP3 @320 -> 2.24 Gb
Full Artwork @ 600 dpi (png) -> 1.71 Gb | 5% repair rar
© 1955-61, 1988 Riverside / Fantasy / Victor Japan | VDJ-25010~24
Jazz / Bop / Hard Bop / Piano

The studio and live recording sessions that Thelonious Monk cut during his six-year stay at the Riverside label are compiled over the 15 discs in the Complete Riverside Recordings. This middle era – between his early sides for Prestige and the final ones for Columbia – is generally considered Monk's most ingenious and creative period. The sessions are presented in chronological order, accurately charting the progression and diversions of one of the most genuinely enigmatic figures in popular music. The Complete Riverside Recordings explores Monk's genius with a certain degree of real-time analysis that simply listening to each of the individual albums from this era lacks.