Tommy+castro

Early live recording captures the tight, raw sound of the band when they typically played over 350 gigs a year! Tommy Castro (vocal & guitar with his band, including Keith Crossan (sax & vocals), Randy McDonald (bass & vocals), and Shad Harris (drums & vocals), recorded live at The Saloon, San Francisco. According to all the press and hype and hoopla for a time during the 1990s, Tommy Castro was pegged as the next big star of the blues. Long a favorite among Bay Area music fans, Castro – in the space of two album releases – took his music around the world and back again with a sheaf of praise from critics and old-time blues musicians alike. His music was a combination of soul-inflected rockers with the occasional slow blues or shuffle thrown into the mix to keep it honest.

You might think that Castro's first album recorded for mighty blues indie Alligator – and twelfth overall – would mark a departure for this longtime rocking soulman. Despite a fuller sound, fleshed out with Lenny Castro's percussion and boosted by an ever-present horn section led by longtime cohort Keith Crossan, this is another typically solid effort from the singer/guitarist. Perhaps it's unfair to expect that Castro would somehow break free of, expand, or alter the blue-collar persona he has cultivated over his solo career as he shifts to a higher-profile label affiliation. Veteran producer/musician John Porter returns to join Castro's strong, husky vocals – a cross between Delbert McClinton, James Brown, and Bob Seger – to a rather slick, radio-friendly approach that buffs off the frontman's natural grit, arguably overly so.

San Francisco's Tommy Castro has been at this roots and blues-rock thing for some 20 years now, and while at one time he was heralded as the next great guitar slinger, such claims only last until the next guy comes down the line with good tone and flashy technique, and since that seems to happen every other week, it's probably good that Castro brings a whole lot more to the plate than just his guitar playing. There's his voice, for one thing, a soulful and versatile blue-collar growl that sounds like Bob Seger working his way through the Stax/Volt catalog, and he's also turned into a pretty good meat-and-potatoes songwriter, too, although yes, it's his guitar playing that keeps the pot boiling.

There's a clean San Francisco sheen to Tommy Castro's second album for Blind Pig, and it's not just the glossy production work of Jim Gaines (Santana, Huey Lewis and Stevie Ray Vaughan) that's responsible for it. Castro and his band have long been local favorites of the Bay area bar crowd, and his blues-rock/soul-pop synthesis with the occasional slow blues thrown in makes him another young contender for the yuppie throne of modern bluesdom. From the opening rock strut of "Can't Keep a Good Man Down" and "You Knew the Job Was Dangerous," Castro lays down lazy, in-the-pocket vocals (the only time he hits scream territory is on the closer, Albert King's "Can't You See What You're Doing to Me") pitted against in your face guitar blasts à la Stevie Ray Vaughan.

As its title suggests, Tommy Castro's seventh album is a note of thanks to the artists who inspired the West Coast guitarist/vocalist. While rocking R&B and blues greats like B.B. and Albert King, Chuck Berry and Buddy Guy are obvious choices, Castro digs deep into their catalogs. He covers B.B. King's "Bad Case of Love," Albert King's "Everybody Want to Go to Heaven," Berry's "Tulane," and Guy's version of Willie Dixon's "When My Left Eye Jumps." More interesting, though, are Castro's '60s soul roots which he acknowledges in versions of songs made popular by Wilson Pickett (a powerful "I Found a Love"), Sam & Dave (Curtis Salgado joins in on a duet of "I Take What I Want"), Otis Redding (a thumping "Lovey Dovey" with Sista Monica Parker taking the Carla Thomas part) and James Brown (a swinging "I Feel That Old Feeling Coming On," which is a departure from Brown's usual funky work).

Tommy Castro's sixth release for the Blind Pig label, Painkiller, picks up where his 2003 set, Soul Shaker, left off. This time around, producer John Porter – who has worked with Santana, Taj Mahal, B.B. King, and Buddy Guy – positions Castro's Delbert McClinton/Southside Johnny vocal grit in front of a punchy horn section and rounds out the date with a few guest artists. Unlike many similar modern blues projects of good intentions but lackluster performances, the combinations on Painkiller never sound forced. In particular, the Albert Collins track, "A Good Fool Is Hard to Find," has Coco Montoya and Castro trading vocal jabs and guitar riffs, and Angela Strehli's passionate vocal on Freddie King's "If You Believe (In What You Do)" is likewise another highlight of this overall triumphant rock 'n' soul album.

This stalwart independent label, headquartered in San Francisco, began in a small Ann Arbor club and grew into one of the most important imprints in blues. Thirty-three tunes ricochet between the potent old-school Chicago stylings of Buddy Guy and Junior Wells's classic "Hoodoo Man Blues" and Big Walter Horton'ss swinging shuffle "Put the Kettle On" to the intriguing pop-folk hybrid of Roy Rogers and Norton Buffalo and the dashing retro-nuevo guitarisms of Nick Curran & the Niteflies to the brawny Texas-schooled sounds of Omar & the Howlers and Smokin' Joe Kubek & Bnois King. The label's Delta blues side is underrepresented, although James Cotton and Elvin Bishop offer two great flavors of cottonland grind.

New live album recorded by legendary guitarist featuring Tommy Castro, Coco Montoya, Joe Louis Walker, Jason Ricci, Nick Moss and the late-great Johnny Bassett. Five years have passed since the release of JIM Mccarty & Friends. Jim continues to drop by the room sometimes jumping on stage to "trade guitar licks." Most of the players know him from Mitch Ryder & The Detroit Wheels, Buddy Miles, Cactus, and the Rockets. When Jim sits in it's always electric. The musicians push each other and the music to a higher level. Your demand for a second CD and the quality of playing made this project a reality. Here is another round of unrehearsed impromptu jams featuring JIM Mccarty and some of the best Blues musicians in the world. JIM Mccarty & Friends II, for Blues music lovers everywhere!