In many ways, U2 took their fondness for sonic bombast as far as it could go on War, so it isn't a complete surprise that they chose to explore the intricacies of the Edge's layered, effects-laden guitar on the follow-up, The Unforgettable Fire. Working with producers Brian Eno and Daniel Lanois, U2 created a dark, near-hallucinatory series of interlocking soundscapes that are occasionally punctuated by recognizable songs and melodies…
U2 are an Irish rock band from Dublin formed in 1976. The group consists of Bono (lead vocals and rhythm guitar), the Edge (lead guitar, keyboards, and backing vocals), Adam Clayton (bass guitar), and Larry Mullen Jr. (drums and percussion). Initially rooted in post-punk, U2's musical style has evolved throughout their career, yet has maintained an anthemic sound built on Bono's expressive vocals and the Edge's effects-based guitar textures. Their lyrics, often embellished with spiritual imagery, focus on personal and sociopolitical themes. Popular for their live performances, the group have staged several ambitious and elaborate tours over their career…
U2 are an Irish rock band from Dublin formed in 1976. The group consists of Bono (lead vocals and rhythm guitar), the Edge (lead guitar, keyboards, and backing vocals), Adam Clayton (bass guitar), and Larry Mullen Jr. (drums and percussion). Initially rooted in post-punk, U2's musical style evolved throughout their career, yet has maintained an anthemic sound built on Bono's expressive vocals and the Edge's effects-based guitar textures…
U2 are an Irish rock band from Dublin formed in 1976. The group consists of Bono (lead vocals and rhythm guitar), the Edge (lead guitar, keyboards, and backing vocals), Adam Clayton (bass guitar), and Larry Mullen Jr. (drums and percussion). Initially rooted in post-punk, U2's musical style evolved throughout their career, yet has maintained an anthemic sound built on Bono's expressive vocals and the Edge's effects-based guitar textures…
This stunning concert documentary sheds fresh light on U2's controversial 1997 Popmart tour, the Irish rockers' gaudy, epic trek in support of their electronica-edged Pop album. Mixed reactions to the pulsing, dance friendly music on Pop and disappointing ticket sales to stateside Popmart shows were interpreted as evidence that the band's new sound and look were merely opportunistic…
"I shouldn't be here because I should be dead" sings Bono on "Lights of Home," the second track on Songs of Experience, the long-delayed sequel to 2014's Songs of Innocence. It's not merely a turn of phrase. Two months after U2 unleashed Songs of Innocence on the world, Bono injured himself in a bicycle accident so severe he suspected he may never play guitar again…
In many ways, U2 took their fondness for sonic bombast as far as it could go on War, so it isn't a complete surprise that they chose to explore the intricacies of the Edge's layered, effects-laden guitar on the follow-up, The Unforgettable Fire. Working with producers Brian Eno and Daniel Lanois, U2 created a dark, near-hallucinatory series of interlocking soundscapes that are occasionally punctuated by recognizable songs and melodies…
Functioning as both the soundtrack to the group's disastrous feature-film documentary and as a tentative follow-up to their career-making blockbuster, Rattle and Hum is all over the place. The live cuts lack the revelatory power of Under a Blood Red Sky and are undercut by heavy-handed performances and Bono's embarrassing stage patter; prefacing a leaden cover of "Helter Skelter" with "This is a song Charles Manson stole from the Beatles, and now we're stealing it back" is bad enough, but it pales next to Bono's exhortation "OK, Edge, play the blues!" on the worthy, decidedly unbluesy "Silver and Gold." …
From the outset, U2 went for the big message – every song on their debut album Boy sounds huge, with oceans of processed guitars cascading around Bono's impassioned wail. It was an inspired combination of large, stadium-rock beats and post-punk textures. Without the Edge's echoed, ringing guitar, U2 would have sounded like a traditional hard rock band, since the rhythm section and Bono treat each song as an anthem. Of course, that's the charm of Boy: all of its emotions are on the surface, delivered with optimistic, youthful self-belief, yet the unusual, distinctive guitar textures give it an unexpected tension that makes it an exhilarating debut…
Using the textured sonics of The Unforgettable Fire as a basis, U2 expanded those innovations by scaling back the songs to a personal setting and adding a grittier attack for its follow-up, The Joshua Tree. It's a move that returns them to the sweeping, anthemic rock of War, but if War was an exploding political bomb, The Joshua Tree is a journey through its aftermath, trying to find sense and hope in the desperation…