Parisian pop genius Sébastien Tellier took one of his famous leaps into the unknown with the release of his recent single A Ballet. Sonically it was full of the character you’d hope for him to deliver - dreamy French electronica, classic pop songwriting and yacht rock-style sax. Thematically, however, it played with the unlikely parallels between music and the never-ending routine of domestic life. As he questions, “Maybe the key to happiness is there, hidden under a dirty laundry basket?” It’s a topic that Tellier delves further into with his sixth studio album Domesticated.
This recording of Mozart chamber music can be listened to as a pleasant private concert "en famille". The choice of the works is dictated solely by the specific instruments played by the three family members: violin, viola and keyboard. This is not a usual instrumentation in the chamber music repertoire, yet it is this combination that has given rise to a pleasantly varied programme - thanks to Mozart's inexhaustible genius!
Marius Constant, who had an intimate knowledge of Debussy’s Pelléas et Mélisande, published Impressions de Pelléas, published in 1992 an abridged version (95 minutes instead of 150) for six singers and two pianists. In an intense flow of music, he telescopes the five acts with great finesse, removing a few scenes and making a fair number of cuts and a few minimal adjustments to the musical material. For the scenography, he suggested, ‘We are in an early twentieth-century salon’ This reflects the fact that during the genesis of Pelléas, Debussy regularly played fragments of it for his circle of friends. In this version, both listeners and performers are involuntarily swept towards the origin and essence of Debussy’s masterpiece: a ‘music of the soul’ in which we can all recognise our own Mélisande, Pelléas, Arkel, Geneviève, Yniold and Golaud. This chamber version of the opera is completed by the Prélude à l’après-midi d’un faune in Debussy’s own transcription for two pianos and the suite En blanc et noir. The two pianos used are the new straight-strung instruments built in Belgium by Chris Maene at the request of Daniel Barenboim.
Lanzamiento: 27 de Mayo de 2008El disco cuenta con 16 temas más un "track oculto". En éstos encontramos colaboraciones de ZPU, Abram, Cres, All Day y Diana Feria. La grabación y mezcla se ha llevado a cabo en Barcelona, en Lebuqe Studio por ZPU y Soma, y la masterización a cargo de Estudios Sterling de Nueva York.