Secrts From The Grave

Best-selling writer Gail Simone's acclaimed series continues! Mayor Fury's return to Tranquility has been a shocking and brutal affair, but the most brutal moment arrives when the identity of the villain is revealed! Can super-strength and invulnerability overcome a broken heart? And how did Mr. Articulate return from the grave? --

is a bi-monthly horror comic anthology series that, together with its horror siblings and were published by EC Comics in the early 1950s. hit newsstands with its April/May 1950 issue and ceased publication with its February/March 1955 issue, producing a total of 30 issues. The title was popular, but, in the late 1940s and early 1950s, comic books came under attack from parents, clergymen, schoolteachers, and others who believed the books contributed to illiteracy and juvenile delinquency. In April and June 1954, highly publicized Congressional subcommittee hearings on the effects of comic books upon children left the industry shaken. With the subsequent imposition of a highly restrictive Comics Code, EC Comics publisher William Maxwell Gaines canceled Tales from the Crypt and its two companion titles in September 1954. All three titles have been reprinted at various times since their demise and have been adapted for television and film.

The title is based on the 1950s EC Comics series of the same name and most of the content originated in that comic or the six other EC Comics of the time (The Crypt of Terror, Haunt of Fear, Vault of Horror, Crime SuspenStories, Shock SuspenStories and Two-Fisted Tales). The show was produced by HBO with uncredited association by The Geffen Film Company and Warner Bros. Television (all part of a production consortium officially called Tales from the Crypt Holdings).

Because it was aired on HBO, a premium cable television channel, it was one of the few anthology series to be allowed to have full freedom from censorship by network standards and practices as a result, HBO allowed the series to contain graphic violence as well as other content that had not appeared in most television series up to that time, such as profanity, gore, nudity and sexual situations, which could give the series a TV-MA rating for today's standards.