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When Tom Oberheim created the first Oberheim Synthesizer Expander Module (model SEM-1) in 1974, he had one goal - to make a synth that sounded great, whilst being extremely simple to use. In the decades since the release of this iconic synth, it's been used by countless legendary musicians, making the SEM one of the most revered synthesizers of all time.

When Tom Oberheim created the first Oberheim Synthesizer Expander Module (model SEM-1) in 1974, he had one goal - to make a synth that sounded great, whilst being extremely simple to use. In the decades since the release of this iconic synth, it's been used by countless legendary musicians, making the SEM one of the most revered synthesizers of all time.

When Tom Oberheim created the first Oberheim Synthesizer Expander Module (model SEM-1) in 1974, he had one goal - to make a synth that sounded great, whilst being extremely simple to use. In the decades since the release of this iconic synth, it's been used by countless legendary musicians, making the SEM one of the most revered synthesizers of all time.

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Partial least squares structural equation modeling (PLS-SEM) has become a standard approach for analyzing complex inter-relationships between observed and latent variables. Researchers appreciate the many advantages of PLS-SEM such as the possibility to estimate very complex models and the method’s flexibility in terms of data requirements and measurement specification.

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The SEM module was originally made to compliment other synthesizers but later came into its own as a great sounding synth. The unique filter that allowed continuously variable operation from low pass to high pass gave it a sound that no other had. When multiple SEM's were connected into a 4 or 8 voice polyphonic system, it became a thing of beauty.

A giant has come back to life. Oberheim's legendary SEM - Synthesizer Expander Module - is back for the first time as a high-end software emulation powered by Arturia's exclusive TAE technology.

The SEM module was originally made to compliment other synthesizers but later came into its own as a great sounding synth. The unique filter that allowed continuously variable operation from low pass to high pass gave it a sound that no other had. When multiple SEM's were connected into a 4 or 8 voice polyphonic system, it became a thing of beauty.