Although it's slightly uneven, Sense and Sensuality is a rather enchanting collection of sweeping, orchestral pop. Strings and keyboards are inerlaced throughout the record, providing the perfect instrumental bed for Nicky Holland's wispy voice. Considering that she has written hits for a variety of artists, including Celine Dion, Tears for Fears and Cyndi Lauper, it isn't surprising that the songs on Sense and Sensuality are sturdy and well-constructed. What is surprising is that the songs don't sound manufactured, but intimate and personal, and that's what gives the album its edge.
LSD: Love, Sensuality and Devotion gathers over a decade's worth of Enigma's definitive tracks, including the song that started it all, "Sadeness, Pt. 1." "Return to Innocence," "Beyond the Invisible," and "Cross of Changes" are all featured as well, and though the collection ranges from the rock-tinged "I'll Love You…I'll Kill You" to atmospheric, electronic fare like "Shadows in Silence," since it's all essentially Michael Crétu's vision, it flows surprisingly well. Since Enigma's sound has varied fairly drastically over the years, LSD: Love, Sensuality and Devotion is the perfect starting point for anyone curious about Crétu's music, and the only Enigma album that casual fans might need.
A greatest-hits package sampling four Enigma discs released between 1990 and 2000, LSD splendidly documents the influential output of Michael Cretu, a techno-bohemian who successfully creates cinematic, otherworldly New Age-like musical suites. Now, more than a decade removed from the arrival of Sadeness (Part 1) and its eyebrow-raising mix of sacred and sensual subplots, people can debate whether Cretu's music represents savvy commercial calculation or satisfying art. LSD suggests a split decision, though tracks with intriguing blends of atmosphere and rhythm, such as "Gravity of Love," "T.N.T. for the Brain" and "Morphing Thru Time," reveal an inventiveness that demonstrates Cretu is capable of more than sophisticated novelty tunes. Two new songs, neither especially noteworthy, open this package. Meanwhile, remastered older tracks segue beautifully to exude a satisfying, seamless unity. Big bonus: run time exceeds 76 minutes.Terry Wood