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R.E.M. - Document (1987)  Music

Posted by popsakov at Dec. 11, 2024
R.E.M. - Document (1987)

R.E.M. - Document (1987)
EAC Rip | FLAC (Img) + Cue + Log ~ 385 Mb | MP3 CBR320 ~ 206 Mb
Full Scans | 00:39:51 | RAR 5% Recovery
Alternative Rock | I.R.S. Records #IRSD-42059

Document is the fifth studio album by the American alternative rock band R.E.M. It was released in 1987 a few months after their rarities collection Dead Letter Office appeared and is the last album of new material by the band released on the I.R.S. Records label. It is the first album on which the band worked with producer Scott Litt.

Ample Sound Ample Guitar M v3.7.0 (Win/macOS)  Software

Posted by Magictor at Nov. 28, 2024
Ample Sound Ample Guitar M v3.7.0  (Win/macOS)

Ample Sound Ample Guitar M v3.7.0 (Win/macOS) | 4 GB

Ample Guitar M aim to bring a Martin D-41 Acoustic Guitar sound to your studio.

Ça M'Intéresse Histoire - Janvier-Février 2025  Magazines

Posted by Torries at Dec. 12, 2024
Ça M'Intéresse Histoire - Janvier-Février 2025

Ça M'Intéresse Histoire - Janvier-Février 2025
French | 100 pages | PDF | 77 MB

R.E.M. - Lifes Rich Pageant (Deluxe Edition) (2011)  Music

Posted by ciklon5 at Aug. 1, 2023
R.E.M. - Lifes Rich Pageant (Deluxe Edition) (2011)

R.E.M. - Lifes Rich Pageant (Deluxe Edition) (2011)
FLAC (tracks), Lossless / MP3 320 kbps | 1:34:08 | 649 / 215 Mb
Genre: Alternative Rock / Label: Capitol Records

Fables of the Reconstruction was intentionally murky, and Lifes Rich Pageant was constructed as its polar opposite. Teaming with producer Don Gehman, who previously worked with John Mellencamp, R.E.M. developed their most forceful record to date. Where previous records kept the rhythm section in the background, Pageant emphasizes the beat, and the band turns in its hardest rockers to date, including the anthemic "Begin the Begin" and the punky "Just a Touch." But the cleaner production also benefits the ballads and the mid-tempo janglers, particularly since it helps reveal Michael Stipe's growing political obsessions, especially on the environmental anthems "Fall on Me" and "Cuyahoga." The group hasn't entirely left myths behind – witness the Civil War ballad "Swan Swan H" – but the band sound more contemporary both musically and lyrically than they did on either Fables or Murmur, which helps give the record an extra kick. And even with excellent songs like "I Believe," "Flowers of Guatemala," "These Days," and "What if We Give It Away," it's ironic that the most memorable moment comes from the garage rock obscurity "Superman," which is sung with glee by Mike Mills.
R.E.M. - In the Attic: Alternative Recordings 1985-1989 [Limited Edition] (1997)

R.E.M. - In the Attic: Alternative Recordings 1985-1989 [Limited Edition] (1997)
EAC Rip | FLAC (Tracks) +CUE, LOG | 306 MB
Genre: Rock, Alternative Rock | Label: I.R.S. Records | Catalog Number: 72438-21321-2-7

From the start of their recording career, Athens, Georgia's finest have been a fertile source of cover tunes, non-album B-sides and alternate versions. This limited-edition collection compiles a baker's dozen of rarities and oddities, including the band's readings of Pylon's "Crazy," Aerosmith's "Toys in the Attic," the Floyd Cramer instrumental "Last Date," and the gospel number "Tired of Singing Trouble," plus a variety of alternate mixes and live versions. Rounding out the set are a pair of ramshackle acoustic numbers from the soundtrack of the documentary Athens GA, Inside Out, "Swan Swan H" and the Everly Brothers' "All I Have to Do Is Dream." Although a couple of tracks overlap the band's 1987 rarities package Dead Letter Office, In the Attic is a handy adjunct to R.E.M.'s album catalog.
R.E.M. • Automatic for the People (1992) [3CD 25th Anniversary Deluxe Edition]

R.E.M. • Automatic for the People (1992) [3CD 25th Anniversary Deluxe Edition]
XLD Rip | FLAC (Tracks) +CUE, LOG | 1.17 GB | Scans
Genre: Alternative Rock, Rock, Indie Rock | Label: Craft Recordings | Catalog Number: CR00045

REM Automatic For The People (2017 UK 25th Anniversary Deluxe Edition 3-CD box set comprising a 12-track remastered CD of the album, a 13-track live CD recorded at the 40 Watt Club on 19th November 1992 and 20-track DemosCD plus bonus track Photograph [featuring Natalie Merchant].
R.E.M. - Unplugged 1991 & 2001: The Complete Sessions (2014) 2CDs

R.E.M. - Unplugged 1991 & 2001: The Complete Sessions (2014) 2CDs
XLD | FLAC | Tracks (Cue&Log) ~ 920 Mb | Mp3 (CBR320) ~ 325 Mb | Scans included
Label: Rhino Records, MTV Networks | # 8122-79595-7 | Time: 02:15:12
Alternative Pop/Rock, College Rock, Jangle Pop, Folk Rock

Unplugged: The Complete 1991 and 2001 Sessions is a 2014 live album from alternative rock band R.E.M., released initially on vinyl recordings through Rhino Records for Record Store Day, later made available on compact disc and digitally. The album is composed of two performances that the band made on the U.S. television show MTV Unplugged. Among the album's 33 tracks are 11 performances which were not aired on either broadcast.

VA - I'm Your Fan: The Songs of Leonard Cohen By... (1991)  Music

Posted by Designol at Aug. 27, 2023
VA - I'm Your Fan: The Songs of Leonard Cohen By... (1991)

VA - I'm Your Fan: The Songs of Leonard Cohen By… (1991)
EAC | FLAC | Image (Cue&Log) ~ 492 Mb | Mp3 (CBR320) ~ 202 Mb | Scans included | Time: 01:15:53
Tribute, Rock, Alternative Rock, Folk-Rock, College Rock | Label: Columbia/Oscar | # COL 469032 2

This 1991 tribute album reveals the broad range of Cohen's talent as composer in its dazzling variety of voices and styles. Following the prayer Who By Fire by House of Love, Ian McCulloch soars through Hey That's No Way To Say Goodbye, adding his own melancholy twist to the song's sublime sadness; The Pixies storm through I Can't Forget at their characteristic fast pace, whilst That Petrol Emotion poignantly render Stories Of The Street and James perform a meandering but moving So Long Marianne. Stephen Duffy of The Lilac Time gently caresses Bird On A Wire, followed by the Ugandan singer Geoffrey Oryema whose Suzanne, embellished by flute and a trio of guitars, fades out on a click-filled chorus. Quite brutal is David McComb's exploration of the sleazy Don't Go Home With Your Hard-on which shakes, rattles and rolls along with the best of the psychotic beats, while Dead Famous People, produced by Serge Gainsbourg, make a surprising success of a bubblegum singalong rendition of True Love Leaves No Traces. The star of the show is John Cale as he paints a truly great soundscape with only voice and piano in Hallelujah, a classic which would have remained buried in Cohen's own rather monotone version.

R.E.M. - Finest Worksong (1988) UK Limited Edition Single  Music

Posted by Designol at Aug. 27, 2023
R.E.M. - Finest Worksong (1988) UK Limited Edition Single

R.E.M. - Finest Worksong (1988) UK Limited Edition Single
EAC | FLAC | Tracks (Cue&Log) ~ 104 Mb | Mp3 (CBR320) ~ 48 Mb | Scans included
Alternative Pop/Rock, College Rock | Label: I.R.S. | # DIRM 161 | 00:16:22

"Finest Worksong" is the third and final single released from R.E.M.'s fifth studio album Document. It peaked at number 50 on the UK Singles Chart in April 1988, at the time the group's highest-charting single in the UK. The single version of the song (also known as Mutual Drum Horn mix), featuring a new horn section by The Uptown Horns, was placed on R.E.M.'s I.R.S. Records compilation Eponymous. This was the last original single the band released on I.R.S. Records.

R.E.M. - Live in Canada 1985 (2023)  Music

Posted by ciklon5 at Sept. 14, 2023
R.E.M. - Live in Canada 1985 (2023)

R.E.M. - Live in Canada 1985 (2023)
MP3 320 kbps | 1:48:31 | 248 Mb
Genre: Alternative Rock / Label: Vintage Jukebox

R.E.M. marked the point when post-punk turned into alternative rock. When their first single, "Radio Free Europe," was released in 1981, it sparked a back-to-the-garage movement in the American underground. While there were a number of hardcore and punk bands in the U.S. during the early '80s, R.E.M. brought guitar pop back into the underground lexicon. Combining ringing guitar hooks with mumbled, cryptic lyrics and a D.I.Y. aesthetic borrowed from post-punk, the band simultaneously sounded traditional and modern. Though there were no overt innovations in their music, R.E.M. had an identity and sense of purpose that transformed the American underground.