New York, 1990. Frank Verbeckas travaille comme infirmier de nuit. Son quotidien est une éternelle plongée dans la misère humaine et le chaos urbain d'un Manhattan à bout de souffle où le chômage et le crack se sont taillés la part belle de la Grosse Pomme. Mais Frank n'est pas qu'un simple infirmier, il est aussi photographe à ses heures. L'oeil dans le viseur, il traque l'humanité abîmée qui se dévoile devant lui. Les laissés-pour-compte de tout poil, blessés ou morts, sont ses sujets de prédilection. …
Beat music, British beat, or Merseybeat (after bands from Liverpool and nearby areas beside the River Mersey) is a pop and rock music genre that developed in the United Kingdom in the early 1960s. Beat music is a fusion of rock and roll (mainly Chuck Berry guitar style and the midtempo beat of artists like Buddy Holly), doo-wop, skiffle and R&B. The genre provided many of the bands responsible for the British Invasion of the American pop charts starting in 1964, and provided the model for many important developments in pop and rock music, including the format of the rock group around lead, rhythm and bass guitars with drums. The Beat Of The Pops - excellent selection of beat tracks.
A long-awaited overview of Reggie Young’s six decades as Memphis and Nashville’s most in-demand guitarist. Bobby Bland, King Curtis, Elvis Presley, Dusty Springfield, Joe Tex, Johnny Cash, Solomon Burke, Merle Haggard, Jackie DeShannon, James Carr … these are just a few of the many musical heavyweights whose recordings have been embellished by the talents of Reggie Young, Memphis and Nashville’s most versatile and in-demand session guitarist. They’re all here on this CD overview of Reggie’s six-decade career, along with 14 other prime examples of his uncanny ability to play exactly to a song’s requirements while at the same time leaving his own indelible stamp.
French guitarist/producer U-Nam is again standing tall and looming large on the smooth jazz scene with another creative gem called C’est Le Funk. In addition to dazzling us with his graceful and funky instrumental work (and one funky delivery with vocals from Tim “TiO” Owens), the album is loaded with strong production and presence. Wasting no time putting the groove into high gear from the start, the guitarist leads off with a driving track called “Smoovin’,” continues plowing ahead with the party groover “Something’s Up” and strutting right through the super-funky, hook-rich title track which features Nivo Deux (Nivo Deux is actually a project organized by U-Nam and wife Shannon Kennedy focusing on the incorporation of 80’s Pop, Smooth Jazz, and Electro-Funk).