Stand Up! It's not just an album title, it's an order, forcing anyone who hears Whitney Shay's brand of rocket-fueled R&B onto the dancefloor. A flame-haired stick of dynamite in a sparkling dress, this San Diego phenomenon has made a record for dancing, drinking and dreaming, with songs to soundtrack the peaks and punches of life. Stand Up! Is sure to mark the global explosion of a singer-songwriter who's long been threatening to go 'boom'. Coming up the old-fashioned way - with a thousand word-of-mouth shows blazing her reputation across the planet - Shay's first decade has seen four wins at the San Diego Music Awards, a nomination at last year's prestigious Blues Music Awards and the tag of "future blues icon" bestowed by Blues Matters! #magazine.
As disco became an important part of the international music business, European producers began working in exotic flavors into the disco beat to create unique and competitive recordings. A good example of this trend is Santa Esmeralda, a Spanish-themed studio group that wove elements of flamenco, salsa, and other Latin musical styles into its Euro-disco sound…
A rare find, Big Bad Voodoo Daddy's release Whatchu' Want for Christmas gives the listener a peek back @ one of todays original, 'classically fresh' and unique swing bands. This album is a mix of early recordings of their current hits, You and Me and the Bottle Makes Three Tonight (baby), Go Daddy-O, The Jungle Book favorite, I Wanna be Just Like You and, three Christmas tunes that promise to get you in a swingin' holiday mood. If there is one thing this album lacks it is the presence and "finishing touch" Josh Levy (piano, vocals) and Karl Hunter (alto, tenor & baritone saxophones, clarinet) provide in the band's current self titled release. Amidst all of the '90's swing' being thrown our way, Big Bad Voodoo Daddy offers an original yet classic swing sound that will leave you Jumpin' Jack… Go-Daddy-O!!
This new recording (recorded in 2012) brings together two great, but altogether different 20th century Cello Sonatas from Russia: the gorgeous and deeply romantic cello sonata by Rachmaninoff, of near‐symphonic proportions, and the cello sonata by Prokofiev, a hybrid piece of his later period, a fascinating mixture of the romantic, the grotesque and the introspective side of the multi-faceted composer..
Have you been a bad boy or girl this year? Worried that Santa's going to bring you a bag of coal? Maybe he'll bring you some dookie instead. Green Day's patented pop-punk is as timeless as any classic Christmas carol. These all-new holiday versions prove it. Instead of fast licks of guitar solos, you will be getting the jingle of bells and horns. From now on, you'll be singing about the Green Days of Christmas…
As disco became an important part of the international music business, European producers began working in exotic flavors into the disco beat to create unique and competitive recordings. A good example of this trend is Santa Esmeralda, a Spanish-themed studio group that wove elements of flamenco, salsa, and other Latin musical styles into its Euro-disco sound. Although the group's sound was about as genuinely Spanish as Herb Alpert & the Tijuana Brass (Santa Esmeralda was the brainchild of French record producers), the result was a crossover success that spawned several club-favorite albums and a notable pop hit in the band's Latinized cover of "Don't Let Me Be Misunderstood".
Antonio Pappano conducts Rome’s Orchestra dell'Accademia Nazionale di Santa Cecilia in two works from the earlier phase of Richard Strauss’s career: a comparative rarity, the mercurial, virtuosic Burleske for piano and orchestra, with Bertrand Chamayou as soloist, and the epic autobiographical tone poem Ein Heldenleben, one of the composer’s orchestral masterpieces. “Strauss always thought dramaturgically,” says Pappano. “Recording this music in Italy, the link has to be through opera, with all its theatricality, temperament, contrast and colour… You need a certain charisma in the sound, which these players achieve.”