Continuing the creative roll of Tender Prey and The Good Son, Henry's Dream showed the band in fierce and fine fettle once more. The biggest change was with the choice of producer – David Briggs, famed for his work on some of Neil Young's strongest albums. While Cave later thought the experiment didn't work as well as he might have hoped, Briggs does a fine enough job, perhaps not letting the group's full intensity through but still capturing a live feel nonetheless. Cave himself offers up another series of striking, compelling lyrics again exploring love, lust and death. Here, though, some of his images are the strongest he's yet delivered, especially with the near apocalyptic "Papa Won't Leave You, Henry," which begins the album brilliantly as the narrator lurches through a landscape of storms, brothels and urban decay. Equally powerful, if slower and calmer, is Dream's lead single, "Straight to You," with Cave delivering a forceful declaration of love.
Cut straight on the heels of Bad Company's 1974 debut – just a matter of three months later; not quite long enough to know how big a success the first LP would be – Straight Shooter is seemingly cut from the same cloth as its predecessor…
Bad Boy has created legends in the Midwestern rock scene for more than two decades. Founders Steve Grimm, John Marcelli, Joey LaVie, and Lars Hanson began their performance and songwriting careers in their teens as Crossfire. United Artists signed the band to a two album deal in 1977, but changed the name to Bad Boy, as the name Crossfire was already in use. Both albums, "The Band That Milwaukee Made Famous" and "Back To Back" reached the top 100 nationwide. Xeno joined the band after his years with Cheap Trick in the early 80's. Bad Boy released "Electric Eyes" and "Girl On The Run" on their own Streetwise and Legend labels which both received regional airplay with their singles Cheat On Me, Thunder and Lightning, and Midnight Love which drew national attention to the band once again.
Bad Boy has created legends in the Midwestern rock scene for more than two decades. Founders Steve Grimm, John Marcelli, Joey LaVie, and Lars Hanson began their performance and songwriting careers in their teens as Crossfire. United Artists signed the band to a two album deal in 1977, but changed the name to Bad Boy, as the name Crossfire was already in use. Both albums, "The Band That Milwaukee Made Famous" and "Back To Back" reached the top 100 nationwide. Xeno joined the band after his years with Cheap Trick in the early 80's. Bad Boy released "Electric Eyes" and "Girl On The Run" on their own Streetwise and Legend labels which both received regional airplay with their singles Cheat On Me, Thunder and Lightning, and Midnight Love which drew national attention to the band once again.
Cut straight on the heels of Bad Company's 1974 debut - just a matter of three months later; not quite long enough to know how big a success the first LP would be - Straight Shooter is seemingly cut from the same cloth as its predecessor. It is, after all, a tight collection of eight strong, steady, heavy rockers that never, ever proceed in a hurry, but from the moment "Good Lovin' Gone Bad" kicks off the proceedings, it's clear that Bad Company have decided to expand their palette this second time around. Where Bad Company was stark, minimalist hard rock, Straight Shooter bears lots of different, vibrant colors: acoustic guitars are used for light and shade, guitars are channeled through chorus pedals, pianos and organs alternate with the occasional wash of strings, and the entire thing feels bigger and bolder than before…
Run with the Pack, Bad Company's third and best album, reiterates the raw, rowdy style of their debut, Bad Co., solidifies the loose ends that marred Straight Shooter and adds new directions of its own. Maybe most importantly, the record is refreshing proof that rockers don't have to produce literature in their lyrics or cultivate personae to create good art. Bad Company's is a purely musical triumph…