She Keeps Bees

With three UK Top 10 hits, three Grammy nominations and a succession of classics such as ‘Superstylin’’, ‘Song 4 Mutya (Out of Control)’, ‘I See You Baby’, ‘Paper Romance’ and ‘At The River’, Groove Armada are one of the most influential forces in dance music. Now the duo – Tom Findlay and Andy Cato – add a new chapter to their storied history with the release of the new album ‘Edge of the Horizon’.

Fats Domino - I've Been Around: The Complete Imperial and ABC-Paramount Recordings (2019) {12CD Set, Bear Family BCD17579}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 4.11 Gb | MP3 @320 -> 1.67 Gb
Artwork @ 300 dpi (png) -> 26 Mb | 5% repair rar
© 1948-65, 2015 Bear Family Records | BCD 17579
Early Rhythm & Blues / Rock & Roll / New Orleans R&B / Swamp-Pop / Piano Blues

We could have taken the easy way out. The original 1993 box set was out of stock. We could simply have printed more copies and filled orders. Of course, we didn’t. This is Bear Family Records and we don’t take shortcuts. We’ve invested more than 1000 hours in re-writing, recompiling and re-mastering this box. The brilliant engineering by Christian Zwarg will leave you shaking your head in admiration. You won’t quite recognize some of your favorite Fats Domino tracks because they’ve never sounded this good.

This 4-CD box set contains 100 classic recordings, many available for the first time in originally recorded stereo. All tracks are digitally remastered.

7 hours popular hits! 144 Greatest Hits of the 60's! Every fan of Rock & Roll, Pop, Rock, Reggae, Soul, Classic Rock should have some '60s music in their collection.

An amazing piece of work - a massive eight-disc boxed set that contains every one of Fats Domino's 1949-1962 Imperial waxings. That's a tremendous load of one artist, but the legacy of Domino and his partner Dave Bartholomew is so consistently innovative and infectious that it never grows tiresome for a second. From the clarion call of "The Fat Man," Domino's 1949 debut, to the storming "Dance with Mr. Domino" in 1962, he typified everything charming about Crescent City R&B, his Creole patois and boogie-based piano a non-threatening vehicle for the rise of rock & roll.