Sheik Yerobut

In order to finance his artier excursions, which increasingly required more expensive technology, Frank Zappa recorded several collections of guitar- and song-oriented material in the late '70s and early '80s, which generally concentrated on the bawdy lyrical themes many fans had come to expect and enjoy in concert. Sheik Yerbouti (two LPs, one CD) was one of the first and most successful of these albums, garnering attention for such tracks as the Grammy-nominated disco satire "Dancin' Fool," the controversial "Jewish Princess," and the equally controversial "Bobby Brown Goes Down," a song about gay S&M that became a substantial hit in European clubs.

Sheik Yer Zappa represents Stefano Bollani’s hommage to an authentic rock icon. Recorded live during a tour, this cd includes songs of Frank Zappa’s, plus three pieces composed by Bollani’s himself and inspired by the rock star. Bollani is a jazz artist, and this means that Zappa’s songs are reworked and elaborated with his personal touch: he is producing a musical cocktail with his personal shaker (from this comes the title, which also plays on Zappa’s own words). So the results can be in some cases different from the original, but the attitude remains: the typical attitude, and the artistry with which Frank Zappa was able to capture and blend music from all over the world.

Dozens of compilations have been devoted to the recorded evidence of Benny Goodman's brief but fortuitously well-documented collaborative friendship with jazz guitarist Charlie Christian (1916-1942). The producers of the Masters of Jazz series have handled the Charlie Christian story more meticulously than nearly anyone else in the business. Because the guitarist didn't live long enough to establish himself as a leader, he exists in history as the eternal sideman who also happens to have been one of the very first progressively modern improvisers in jazz. Volume three in the series takes on selected recordings made between December 2, 1939 and June 4, 1940…

Charlie Christian's career was all too brief, lasting a mere five years. After catching the attention of John Hammond, who recommended him to Benny Goodman, he appeared on fewer than 100 sessions between 1939 and 1941, mostly broadcasts, plus a few privately recorded sessions issued on various labels over the years, in addition to his well-known studio recordings and with Goodman. While the music in this compilation has been previously available, this collection has to much recommend it. First of all, new digital transfers have been made from original acetates from the Jerry Newhouse collection, rather than relying on later generation sources. Frank Driggs' detailed liner notes provide a wealth of historical background and there are also lots of photographs. But the most important factor is the music itself.

Stephane Wrembel - Introducing Stephane Wrembel 2001-2010 (2010) {2CD Set Water Is Life Records WIL 01}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 471 Mb | MP3 @320 -> 210 Mb
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© 2001, 2010 Water Is Life Records | WIL 01
Jazz / Gypsy Jazz / Western European / Gypsy Jam / Guitar

French acoustic gypsy music inspired by the greatest guitarist of all times: Django Reinhardt. 2001: Stephane Wrembel records his first album in 4 hours. 2010: He goes back into the studio for three days with Dave Speranza on bass and Koran Hasanagic on guitar. Same playlist. Different players. Different sounds. Nine years of growth.

Charlie Christian - The Genius Of The Electric Guitar (1939-1941) {4CD Deluxe Set Columbia C4K 65564 rel 2002}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 836 Mb | MP3 @320 -> 674 Mb
Full Artwork @ 300 dpi (jpg) -> 31 Mb | 5% repair rar
© 1939-41, 2002 Columbia / Legacy / Sony Music | C4K 65564
Jazz / Bop / Swing / Big Band / Guitar

First, a few myths get cleared up by the very existence of this box, which goes far beyond the original Columbia compilations with the same name. For starters, Columbia goes a long way to setting the record straight that Charlie Christian was not the first electric guitarist or the first jazz guitarist or the first electric guitarist in jazz. For another, they concentrate on only one thing here: documenting Christian's seminal tenure with Benny Goodman's various bands from 1939-1941. While in essence, that's all there really is, various dodgy compilations have been made advertising Christian playing with Lester Young or Lionel Hampton.

Richard Strauss’s single-act ballet Josephs Legende emerged in 1914 just as the world’s attention was turning to war. But with its exotic instrumental colouring and the composer’s intent to rejuvenate dance into a ‘purely inspirational form’ dedicated to ‘absolute beauty’, it reveals a great ballet composer and demonstrates his orchestral mastery to the full. Josephs Legende is a parable about struggles between good and evil based on the familiar Old Testament story of the slave boy Joseph. The work’s dramatic tale is set with alluring sensuality expressed through Strauss’s gift for soaring themes. Not many associate Richard Strauss with the world of ballet, and Josephs Legende is one of his less well-known orchestral scores. There are a few recordings around, and our recording of the orchestral suite with the Buffalo Philharmonic conducted by JoAnn Falletta (8.572041), was considered ‘utterly glorious’ in MusicWeb International, but this work has long been overshadowed by the popularity of Strauss’s other stage and orchestral pieces.

Composer and oudist Rabih Abou-Khalil generates variety and interest by bringing aboard different guest musicians for each album. The personnel on Sultan's Picnic is so similar to that of Blue Camel that one might expect them to sound similar. But there's a key difference in the presence of Howard Levy on Sultan's Picnic. Levy is a talented harmonica player who has done a lot of offbeat work, including a stint with Béla Fleck & the Flecktones. Despite the power of Charlie Mariano on alto sax and Kenny Wheeler on trumpet, this album is dominated by the idioms of the harmonica, specifically the jazzy, quirky, lackadaisical idiom popularized by Levy's work with the Flecktones. This domination is noticeable from the beginning, on "Sunrise in Montreal."

This collection of Bechet tracks cut between 1932 and 1941 would be worth owning if for nothing else than the inclusion of his one-man-band recording of "Sheik of Araby," the first known instance of overdubbing with Sidney playing clarinet, tenor sax, piano, bass and drums. But everything on here is fine, spirited New Orleans music, played with verve and wild energy. Kicking off with a wild version of "Maple Leaf Rag" by the New Orleans Feetwarmers, the set moves to include Bechet with Jelly Roll Morton, Tommy Ladnier (excellent versions of "Weary Blues" and Mezz Mezzrow's "Really the Blues"), Dr. Henry Levine's Barefoot Dixieland Philharmonic, and Sidney's later versions of the Feetwarmers.