Shm

Universally hailed as the reigning king of the blues, the legendary B.B. King is without a doubt the single most important electric guitarist of the last half century…

Steppenwolf is a Canadian-American rock band, prominent from 1968 to 1972. The group was formed in late 1967 in Los Angeles by lead singer John Kay, keyboardist Goldy McJohn, and drummer Jerry Edmonton (all formerly in Canadian band The Sparrows). Guitarist Michael Monarch and bass guitarist Rushton Moreve were recruited by notices placed in Los Angeles-area record and musical instrument stores…

When Udo Dirkschneider sang lead with the West German metal band Accept, it was clear that AC/DC's Bon Scott was his primary influence. And the headbanger took his love of Scott with him when he departed Accept and formed his own band, Udo, in 1987. Though not as strong as his work with Accept, Faceless World is a decent album that employs mildly gothic imagery at times. Not content to simply crank up the volume and hit us with power chords, Dirkschneider and friends make melody a priority on "System of Life," "Stranger," "Blitz of Lightning" and other songs on this exuberant CD. Faceless World may not be Balls to the Wall (one of Accept's best releases), but it isn't anything to be ashamed of either. Who could have predicted that only three year's after Faceless World came out, this type of rock would have lost so much ground to alternative rock?

Queen were straining at the boundaries of hard rock and heavy metal on Sheer Heart Attack, but they broke down all the barricades on A Night at the Opera, a self-consciously ridiculous and overblown hard rock masterpiece…

The photo of Sanders in lotus position, generously collared psychedelic shirt poking out from under his white robes, says it all. Having abandoned the Ayler-influenced sound of Pharoah's First, released almost a decade previously, by Village Of The Pharoahs the saxophonist had jumped with both feet into the soaring and the spiritual. The album is a slightly mixed bag, with material from the main San Francisco sessions bulked out with tracks recorded in New Jersey and New York. It's also unusual in that Sanders plays tenor on just one track, the rest of the time contributing a combination of soprano, bells, percussion and vocals.

It's advantageous to get an early start on your chosen career, but Billy Preston took the concept to extremes. By age ten he was playing keyboards with gospel diva Mahalia Jackson, and two years later, in 1958, he was featured in Hollywood's film bio of W.C. Handy, St. Louis Blues, as young Handy himself. Preston was a prodigy on organ and piano, recording during the early '60s for Vee-Jay and touring with Little Richard. He was a loose-limbed regular on the mid-'60s ABC TV series Shindig, proving his talent as both a vocalist and pianist, and he built an enviable reputation as a session musician, even backing the Beatles on their Let It Be album. That impressive Beatles connection led to Preston's big break as a solo artist with his own Apple album, but it was his early-'70s soul smashes "Outa-Space" and the high-flying vocal "Will It Go Round in Circles" for A&M that put Preston on the permanent musical map. Sporting a humongous Afro and an omnipresent gap-toothed grin, Preston showed that his enduring gospel roots were never far removed from his joyous approach. He continued to perform and record throughout the '80s, '90s, and 2000s, until he fell into a coma caused by pericarditis late in 2005; sadly, he never regained consciousness and passed away on June 6, 2006.

Pablo Cruise achieved some measure of success during the latter part of the '70s with their mellow, easygoing California pop. The band was formed in 1973 by former members of Stoneground and It's a Beautiful Day: guitarist Dave Jenkins, keyboardist Cory Lerios, bassist Bud Cockrell, and drummer Steve Price…