Geoff Tate (born Jeffrey Wayne Tate,[1] January 14, 1959; he later changed his first name to Geoffery or Geoffrey) is an American singer and musician. He rose to fame with the progressive metal band Queensrÿche, who had commercial success with their 1988 album Operation: Mindcrime and 1990 album Empire…
The first 14 of the 16 symphonies chosen span the years 1771, when Mozart was 15, through to 1773, when he produced in the G minor No. 26, his first out-and-out masterpiece among the symphonies. In addition to the regularly numbered works Tate includes the so-called Symphonies Nos. 48 (adapted from the overture to Ascanio in Alba) and 50 (adapted from the overture to Il sogno di Scipione). Then, almost as an appendix to the rest, come two more adaptations from opera overtures, dating from 1775-6, No. 51 (from La finta giardiniera) and No. 52 (from Il re pastore, with an adaptation of an aria inserted).
Offenbach's Les contes d'Hoffmann is among those operas with most textual problems, since the composer did not live to its premiere, leaving an incomplete score. The traditional text, bringing in extra material, much of it unauthentic, and leaving out alot, was only established in the 20th century. This Dresden recording sessions were held (June 1987-June 1989) borrowed much from Michael Kaye's 1991 Schott Edition.
Elgar’s Falstaff is a proud, good-humoured, larger-than-life knight, not the amorous figure of fun portrayed by Verdi: Henry IV rather than The Merry Wives of Windsor. This Falstaff needs careful handling, as the composer’s superb 1931 recording makes clear. Jeffrey Tate is remarkably successful in bringing the old fellow to life and, indeed, in putting him to sleep before the Dream Interlude, with its exquisitely nostalgic violin solo. This is a performance full of character and contrast, and it finds the LSO in true virtuoso form: excellent string playing and a suitably gruff bassoon for Falstaff’s protestations.