Shure Mv7

Extended Versions: The Encore Collection is a compilation of live tracks recorded by the band Styx. The album was released in 2000, but each track on the album had been released as part of Styx's 1997 double live album Return to Paradise. Styx is an American rock band from Chicago that formed in 1972 and became famous for its albums released in the late 1970s and early 1980s. They are best known for melding hard rock guitar balanced with acoustic guitar, synthesizers mixed with acoustic piano, upbeat tracks with power ballads, and incorporating elements of international musical theatre. The band established itself with a progressive rock sound in the 1970s, and began to incorporate pop rock and soft rock elements in the 1980s.

Extended Versions: The Encore Collection is a compilation of live tracks recorded by the band Styx. The album was released in 2000, but each track on the album had been released as part of Styx's 1997 double live album Return to Paradise. Styx is an American rock band from Chicago that formed in 1972 and became famous for its albums released in the late 1970s and early 1980s. They are best known for melding hard rock guitar balanced with acoustic guitar, synthesizers mixed with acoustic piano, upbeat tracks with power ballads, and incorporating elements of international musical theatre. The band established itself with a progressive rock sound in the 1970s, and began to incorporate pop rock and soft rock elements in the 1980s.

Upon his emergence during the mid-'60s, Donovan was anointed "Britain's answer to Bob Dylan," a facile but largely unfounded comparison which compromised the Scottish folk-pop troubadour's own unique vision. Where the thrust of Dylan's music remains its bleak introspection and bitter realism, Donovan fully embraced the wide-eyed optimism of the flower power movement, his ethereal, ornate songs radiating a mystical beauty and childlike wonder; for better or worse, his recordings remain quintessential artifacts of the psychedelic era, capturing the peace and love idealism of their time to perfection…

To celebrate this 10th anniversary, Alex Kentucky sticks to popular downtempo known for its famous background beat that starts with Every Furtuna’s track “Hush” , Deepanima’s “Historia de un amor” and Fabian Kash’s “Twin”. The slow groove tempo don’t vary a lot till the relaxing sensual and romantic voices of Lisa Shaw featuring Miguel Megs Salted Vocal mix “I Can See It” and “Be Mine Allovers Redub” by Zhanna Ona break into this suite. In the continuation some other tracks as La serenata by DJ Pippi and Kenneth Bager before ending with Lavvy Levan’s “Hurt”. A pure Nassau Beach compilation.

When Johnny Winter emerged on the national scene in 1969, the hope, particularly in the record business, was that he would become a superstar on the scale of Jimi Hendrix, another blues-based rock guitarist and singer who preceded him by a few years. That never quite happened, but Winter did survive the high expectations of his early admirers to become a mature, respected blues musician with a strong sense of tradition. Best known for his high-energy blues-rock albums and live performances in the late 1960s and 1970s, Winter also produced three Grammy Award-winning albums for blues singer and guitarist Muddy Waters. After his time with Waters, Winter recorded several Grammy-nominated blues albums. In 1988, he was inducted into the Blues Foundation Hall of Fame and in 2003, he was ranked 63rd in Rolling Stone magazine's list of the "100 Greatest Guitarists of All Time." This box set contains 5 Johnny Winter's albums: Johnny Winter (1969), Second Winter (1969), Live (1971), Still Alive And Well (1973), Saints & Sinners (1974).

Second Winter, Johnny Winter's second album for Columbia, originally had the distinction of being the only album in rock history that was a three-sided double LP. Musically, 35 years after its original release, Second Winter is still an oddity. Issued by Sony's Legacy division, the set has been painstakingly remastered, and expanded by bonus cuts and an entire disc of live material. It's too bluesed-out to be a pure rock record, and too psychedelically dimensioned to be a pure blues album. Tommy Shannon calls it "power blues." And as for whatever else passed for blues-rock at the time – Cream, Hendrix, Canned Heat, etc. – forget it. This set is a whole different animal. Cut in Nashville with all tracks begin done within one or two takes, the energy of Second Winter is undeniable. The sheer range of styles Winter assaulted in his restless quest is astonishing too.