This classic of Shakespeare scholarship begins with a masterly introductory essay analysing and exemplifying the various categories of sexual and non-sexual bawdy expressions and allusions in Shakespeare's plays and sonnets. The main body of the work consists of an alphabetical glossary of all words and phrases used in a sexual or scatological sense, with full explanations and cross-references.
Erotic, humorous, and loaded with double entendres, these dozen tunes were recorded between 1956-1961 by Memphis Slim, Tampa Red, Victoria Spivey, Lonnie Johnson, Pink Anderson, Memphis Willie B., and Blind Willie McTell. The collection includes "Let Me Play with Your Poodle," "I'm a Red Hot Mama," and "If You See Kay."
Maria Muldaur's trilogy of old-timey blues and jazz releases for the Stony Plain imprint (she simultaneously records more contemporary music for the Telarc label) concludes with this appropriately titled set. Much is made in the liner notes of the veteran jazz/blues/pop/gospel singer being mentored in her early jugband years by no less of an icon than Victoria Spivey, so it seems Muldaur feels this tribute to the style and material of Spivey and other "classic blues queens" of the '20s and '30s is a sort of closure. It is also a history lesson, with detailed booklet information, some of it written by Muldaur, providing fascinating capsule biographies of the women whose music is covered here.