Siems Martin

George Romero does for vampires what he has already done to zombies - an intense and realistic treatment that follows the exploits of Martin, who claims to be 84 years old, and who certainly drinks human blood. The boy arrives in Pittsburg to stay with his uncle, who promises to save Martin's soul and destroy him once he is finished, but Martin's loneliness finds other means of release.

Dean Martin was an American singer, film actor, television star and comedian. One of the most popular and enduring American entertainers of the mid-20th Century, Martin was nicknamed the "King of Cool" due to his seemingly effortless charisma and self-assuredness. A member of the "Rat Pack," Martin was a major star in four areas of show business: concert stage/night clubs, recordings, motion pictures, and television. He was the host of the successful television variety program The Dean Martin Show (1965-1974), and subsequently The Dean Martin Celebrity Roasts (1974-1985). Martin's relaxed, warbling crooning voice earned him dozens of hit singles. This collection contains all of the LPs in the Reprise catalog.

Spanning two discs and 40 songs, The Capitol Years is the most thorough retrospective of Dean Martin's Capitol recordings. From "Memories Are Made of This" to "Return to Me" and "Volare," all of his major hits for the label are included, as are several album tracks, lesser-known singles, and a handful of rarities. The collection may have a few too many songs for some casual fans, but it's the only album that presents all the important Capitol tracks with care, thought, and first-class sound.

Janis Darlene Martin (March 27, 1940 – September 3, 2007) was an American rockabilly and country music singer.

“Everything works to illuminate the music," wrote The Times of Love and Death, Martin James Bartlett’s debut recital on Warner Classics. The young British pianist has now recorded two celebrated rhapsodies for piano and orchestra, both from the ‘art deco’ period of the 20 th century: Gershwin’s Rhapsody in Blue and Rachmaninoff’s Rhapsody on a Theme of Paganini. His partners are the London Philharmonic Orchestra and conductor Joshua Weilerstein.

Continuing his landmark survey of the piano works of Elisabeth Lutyens, pianist Martin Jones delves deeper into the music of this undeservedly neglected composer. This second volume features further world premiere recordings including pieces from her early maturity such as The Check Book, a compelling collection of twelve miniatures for children; Piano e Forte that recalls Lutyens’s lifelong enthusiasm for the music of Debussy and explores the possibilities of the instrument in a way she had never attempted before; and Maybe–Encore Op. 159, which was Lutyens’s final work for piano composed in 1982. Also included is an early unpublished sonata movement (Allegro molto) possibly written as early as the 1930s.

Continuing his landmark survey of the piano works of Elisabeth Lutyens, pianist Martin Jones delves deeper into the music of this undeservedly neglected composer. This second volume features further world premiere recordings including pieces from her early maturity such as The Check Book, a compelling collection of twelve miniatures for children; Piano e Forte that recalls Lutyens’s lifelong enthusiasm for the music of Debussy and explores the possibilities of the instrument in a way she had never attempted before; and Maybe–Encore Op. 159, which was Lutyens’s final work for piano composed in 1982. Also included is an early unpublished sonata movement (Allegro molto) possibly written as early as the 1930s.

Aloha, hep cats. A question: what do blockbusting novelist James Michener, Fifties America's most influential newspaper columnist Walter Winchell and John Sturges, director of The Magnificent Seven, have in common?

As the lead guitarist for Jethro Tull, Martin Barre has been joined at the hip to Ian Anderson since 1969, when he replaced Mick Abrahams in the group's lineup. His playing has provided much of the energy that allows the band to soar on record and in concert amid the beauty of Anderson's melodies and the complexity of his lyrics, and played no small part in helping the veteran band (some would say "dinosaur") win the 1988 Grammy for Best Hard Rock Album for Crest of a Knave. Anderson himself has been quoted as saying, "Without Martin Barre, Jethro Tull could not exist." Barre's solo work was confined to his home studio until he assembled a band to play some charity gigs in the early 1990s. Since then, he has recorded a pair of albums that allow him to stretch out in directions that Tull normally doesn't permit, and to put his instrument into new sounds, genres, and musical contexts.