These tentative explorations into relatively uncharted jazz-rock territory retain an engaging, freewheeling verve and warm humor, although the lyrics are sometimes self-consciously hip and spacy. Coryell plays a sitar on "I'm Gonna Be Free," and "Blue Water Mother" employs the still-unusual device of two separate vocal tracks singing two entirely separate sets of lyrics. Obscure even in its day and long out of print, it's worth seeking out, though more for fans of '60s rock than jazz.
Rick Wakeman spent much of the '80s and '90s recording instrumental albums that veered toward either classical or ambient, so 2003's Out There comes as a bit of a shock: it's an honest to goodness revival of the full-throttle prog rock Wakeman pursued on his solo albums in the '70s. A large part of this is due to his decision to form a full-fledged supporting rock band. Called the New English Rock Ensemble, they're a quintet led by Wakeman and featuring Damian Wilson on vocals, Ant Glynne on guitar, Lee Pomeroy on bass, and Tony Fernandez on drums and percussion. They're a powerful and skilled outfit, able to follow Wakeman's shifting tempos and moods with dexterity without ever losing sight of their forceful rhythmic core, which keeps this rock, not new age.