With their fifth full-length album, Med Sud I Eyrum Vid Spilum Endalaust (translated as With a Buzz in Our Ears We Play Endlessly), Sigur Rós have taken the poppy, sunshiny leanings of their previous album a step further into the light. The band has always been known for otherworldly soundscapes, and while there is enough of that here to keep the faithful happy, the band also writes straightforward, three-minute pop songs like the incredible catchy, sticky-sweet duo ("Gobbldigook," "Inní Mér Syngur Vitleysingur") that kick the album off like the first rays of the morning sun blazing through your bedroom window. That feeling continues on through the album as both the joyously soaring vocals and the buoyant melodies keep things floating happily on air.
on the longest day of summer 2016 sigur rós drove the whole way round iceland’s ring road, broadcasting the entire 1332km journey live on youtube. the soundtrack to this “slow tv” adventure was created using generative music software taking the multi-track stems of the sigur rós song ‘óveður’ and endlessly reinventing them to create new and unpredictable musical directions in real time. the very best moments from the 24 hour journey have now been pared down to a single album of great and reflective beauty. 8 tracks.
The album 'Odin’s Raven Magic' is an orchestral collaboration between Sigur Rós, Hilmar Örn Hilmarsson, Steindór Andersen and Maria Huld Markan Sigfúsdóttir which premiered 18 years ago at the Barbican Centre in London and is now finally almost two decades later being released. The performance honours the poem, dramatic and beautiful, classical and contemporary. A stone marimba was built especially for the performance by Páll Guðmundsson.
Music from the band’s career, which was then twisted, bent and broken, and finally added to in the band’s Reykjavík studio to create a new perspective for the performance by by Cloud Gate Dance Company. In a statement posted on Sigur Rós’ website, the dance piece is described as a work that “excavates our deepest fear toward ourselves as human beings through bodies of dancers morphing into concrete symbols of anxieties, struggles, desires and loneliness in the lunatic, ever-changing world of high-end technology, and eventually leads us to a slim hope of love and inner serenity.”
A score of high Nordic drama from unreleased Sigur Rós material, as well as multitracks of chosen songs from the band’s catalogue. The music was premiered at Nordur og nidur festival, to soundtrack choreographed performances from the Iceland Dance Company.
Though it's not necessarily a bad quality, post-rock (especially as it trends to the more ambient side of things), can be an awfully passive listening experience, sweeping the listeners up in drifting buildup and inevitable crescendos without ever really confronting them. Challenging this paradigm, Sigur Rós get sonically adventurous with their seventh album, Kveikur, which finds the Icelandic three-piece delivering a darker and more aggressive sound on one of their most daring albums to date. From the opening moments of "Brennisteinn," the album's opening track that thrums to life through a layer of crackling static with a guttural, churning bassline, it's clear that the band aren't looking for gentle complacency from the listener…
Sigur Rós’s ambitious plan to make a film for every track on last year's ‘Valtari’ album drew to a close in December with one of the series’ most ambitious submissions from director Floria Sigismondi. The flyblown 10-min mini-epic features indie movie stars Elle Fanning and John Hawkes, as father and daughter, one of whom may be dead. The sixteenth film in the series, it renews Sigur Ros's relationship with Sigismondi, who in 2003 won the European MTV video of year for the band's ‘Vaka', in which gas-masked school children played in the black snow of a nuclear winter. This new package sees all 16 Valtari films collected together on DVD or Blu-ray as the ‘Valtari Film Experiment’. The release includes all 14 films commissioned by the band, alongside the two winning entries from a parallel public competition, plus three additional making-of features.