The Staple Singers are perhaps best remembered for their period recording for Stax Records in Memphis between 1968 and 1975, where they enjoyed a string of pop, soul and international hits. Here though Jasmine focus on the groups early recordings when they were strictly a religious group steeped in American Gospel traditions. Although the line-up was unusual for the time, male and female groups were not common in Gospel music then, they undoubtedly appealed to the huge number of migrants who had moved to Chicago from the rural south. 'Pops', as he was known, had a guitar style highly reminiscent of the Mississippi blues singers of the 1920s and 30s and the vocal arrangements that he gave the girls were also similar to those of the earliest jubilee style gospel groups of the pre-war years like the Golden Gate Quartet and The Charioteers. Here then are their famous early recordings as released by Vee Jay Records who continued to reissue their repertoire on LP for many years.
Five centuries, seven languages, and six singers with 35 years of remarkable experience inform this rare collection of choral music. In the world-renowned King's Singers resplendent voices, ancient and modern choral music comes to life with all the blazing immediacy and timeliness of the gospel of the nativity. With 25 pieces of music–ranging from familiar works such as "Coventry Carol" to the obscure Tchaikovsky piece "The Crown of Roses"–the King's Singers move through this hallowed and festive set with the vocal mastery that only three-and-a-half decades of accomplished work together is capable of creating. A number of contemporary carols written in the last century by composers such as John McCabe, Philip Lawson, John Rutter, and others are balanced by pieces by Bach and a host of traditional works. Lawson's "You Are the New Day," performed with a string quartet, stands out as one of the more notable performances. Like most of their music throughout Christmas, it reminds listeners that the art of music often interprets divine aspects gladly realized here on Earth.
Renaissance polyphony and contemporary sound clouds orbit around vocal late Romanticist like satellites. The Zurich Chamber Singers, conducted by Christian Erny, unearth a special narrative drama. Starting with Anton Bruckner, they turn their attention to Palestrina as a point of reference. At the same time, they cast a spotlight back on the work of the Austrian vocal innovator through three contemporary works. A comprehensive selection of Bruckner&'s Latin motets combined with chosen works by Palestrina and three world premiere recordings of the Stuttgart composer Burkhard Kinzler’s commissioned works.
Featuring Vaughan Williams’ masterly and intensely personal Five Mystical Songs, this album reflects on the sources of inspiration of some of his sacred choral works, alongside gems of 19th- and early-20th-century English church music. Often setting the poetry of the King James Bible, the finely spun melodies and sensitivity to word-rhythm of composers from S. S. Wesley to Herbert Howells result in a uniquely British form of expression.
This brand new Christmas album from The King’s Singers features 25 tracks covering everything from contemporary choral gems and folk songs through to well-loved carols. Dotted throughout the album are several of the most famous English church carols, which take The King’s Singers right back to their earliest singing days, and which also reflect the group’s heritage at King’s College, Cambridge. In Christmas Carols with The King’s Singers, the group bottle that frosty, moonlit, fireside Christmas wonder and pour it into their sound.