Skönheten Och Odjuret

Bergman Island: Bergman och filmen, Bergman och teatern, Bergman och Fårö - by Marie Nyreröd (2004)

All three documentaries is mainly shot in the home of Ingmar Bergman. This is the first time ever that a film maker has access to Ingmar Bergman in his home at the small island Fårö in the Baltic Sea.

In turn-of-the-century Sweden, cancer-stricken, dying Agnes is visited in her isolated rural mansion by her sisters Karin and Maria. As Agnes' condition deteriorates and pain management becomes increasingly more difficult, fear and revulsion grip the sisters, who seem incapable of empathy, and Agnes' only comfort and solace comes from her maid Anna. As the end draws closer, long repressed feelings of grudging resentment and mistrust cause jealousy, selfishness, and bitterness between the siblings to surface.

The young Dagmar Brink commits suicide. Her belongings are inherited by the resident caretaker in the house she lived in. The caretaker, who never knew her, wonders why and make contact with the people who knew her to find out why she killed herself.

In turn-of-the-century Sweden, cancer-stricken, dying Agnes is visited in her isolated rural mansion by her sisters Karin and Maria. As Agnes' condition deteriorates and pain management becomes increasingly more difficult, fear and revulsion grip the sisters, who seem incapable of empathy, and Agnes' only comfort and solace comes from her maid Anna. As the end draws closer, long repressed feelings of grudging resentment and mistrust cause jealousy, selfishness, and bitterness between the siblings to surface.

Inventor Carl Åkerblom is a rosy-cheeked 54 year-old admirer of Franz Schubert - and a patient in the psychiatric ward of Akademiska Hospital in Uppsala, after having attempted to beat to death his fiancée, Pauline Thibault. Together with another patient, Professor Osvald Vogler, they set up a film project: the living talkie. Before long, they set off on a frantic tour with their film, "The Joy of the Joyous Girl"…

The country estate of Rödbergshyttan is surrounded by heavily fragrant roses in every color. There lives the beautiful Gabriella, who Christer loves, and an invitation to their engagement party is the reason for Puck and Einar to travel there. But the rose-scented idyll soon turn into a stifling background when Puck finds Gabriella's grandfather poisoned in his bed. Little by little we learn that the relations between the people living at the estate is everything but uncomplicated, and that there is a sexual frustration behind every well polished marriage. The question is to what extent beautiful Gabriella is involved in the intrigues and how much of a coincidence it is that her grandfather is killed just when Christer is in the house.

In turn-of-the-century Sweden, cancer-stricken, dying Agnes is visited in her isolated rural mansion by her sisters Karin and Maria. As Agnes' condition deteriorates and pain management becomes increasingly more difficult, fear and revulsion grip the sisters, who seem incapable of empathy, and Agnes' only comfort and solace comes from her maid Anna. As the end draws closer, long repressed feelings of grudging resentment and mistrust cause jealousy, selfishness, and bitterness between the siblings to surface.