A wicked curse, a fairy’s blessing and the triumph of love: The Sleeping Beauty is one of the best-loved of all stories. In this sparkling new album from The Australian Ballet and ABC Classics, favourite moments from Tchaikovsky’s sumptuous score are woven together by narration from peerless Australian actor David Wenham (The Lord of the Rings, Van Helsing). The perfect Christmas gift for lovers – both young and old – of ballet, beautiful music and classic tales.
Matthew Bourne’s SLEEPING BEAUTY sees the choreographer return to the music of Tchaikovsky to complete the trio of the composer’s ballet masterworks that started in 1992 with Nutcracker! and, most famously, in 1995, with the international hit Swan Lake. Bourne takes this date as his starting point, setting the Christening of Aurora, the story’s heroine, in the year of the ballets first performance; the height of the Fin de siècle period when fairies, vampires and decadent opulence fed the gothic imagination. As Aurora grows into a young woman, we move forwards in time to the more rigid, uptight Edwardian era; a mythical golden age of long Summer afternoons, croquet on the lawn and new dance crazes. Years later, awakening from her century long slumber, Aurora finds herself in the modern day; a world more mysterious and wonderful than any Fairy story!
Like much of Tchaikovsky's musical output, his ballet scores were often subject to criticism. This is certainly true of his first attempt at ballet, Swan Lake. Although still firmly rooted in the traditions of the day, Tchaikovsky certainly tried to move out on his own by making the score much more orchestra-based than most of his predecessors. This, of course, drew the ire of dancers and theater directors alike as the attention was taken away from the dancers and placed on the musicians. History shines more favorably on Tchaikovsky's independent streak, making him the first Russian composer whose ballet scores are played as stand-alone orchestral works, not to mention the fact that Tchaikovsky was unknowingly paving the way for a string of subsequent Russian ballet composers like Stravinsky and Prokofiev.