Smith & Burrouws

Dr. Lonnie Smith Octet - In The Beginning, Volumes 1 & 2 (2013) {2CD Pilgrimage PCD002}
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© 2013 Pilgrimage Productions | PCD002
Jazz / Organ Hammond B-3 / Soul Jazz

On IN THE BEGINNING, the second release on Pilgrimage Recording, his imprint label which he founded in 2012, Dr. Lonnie Smith revisits, recontextualizes, and reimagines a dozen songs culled from his first decade as a recording artist. The end product is a document as distinctive and accomplished as any within Smith’s iconic canon.

Dr. Lonnie Smith - Evolution (2016) {Blue Note}
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© 2016 Blue Note / Universal | 0602547618986
Jazz / Jazz Funk / Soul Jazz / Post Bop / Organ

On Evolution, Dr. Lonnie Smith returns to the Blue Note Records label with a unique project that enhances his legacy as one of the premier masters of modern music. With three new Smith originals (“For Heaven’s Sake”, “African Suite” and “Talk About This”) and exciting new arrangements of tunes such as Monk’s “Straight No Chaser”, “Play It Back” and “Afrodesia,” The Good Doctor and his cast offer plenty of surprises and invention along with a serious groove.

A New Sound… A New Star… (subtitled Jimmy Smith at the Organ Vol. 1) is the debut album by Jimmy Smith featuring performances recorded in 1956 and released on the Blue Note label. The album was rereleased on CD combined with Smith's following two LP's A New Sound A New Star: Jimmy Smith at the Organ Volume 2 and The Incredible Jimmy Smith at the Organ.
With less of an emphasis of low-key blues numbers than subsequent albums, the work here is informed by the energy and harmonic sophistication of bebop, and Smith is incandescent throughout…

Toward the end of his stint with Blue Note, Jimmy Smith's albums became predictable. Moving to Verve in the mid-'60s helped matters considerably, since he started playing with new musicians (most notably nice duets with Wes Montgomery) and new settings, but he never really got loose, as he did on select early Blue Note sessions. Part of the problem was that Smith's soul-jazz was organic and laid-back, relaxed and funky instead of down and dirty. For latter-day listeners, aware of his reputation as the godfather of modern soul-jazz organ (and certainly aware of the Beastie Boys' name drop), that may mean that Smith's actual albums all seem a bit tame and restrained, classy, not funky. That's true of the bulk of Smith's catalog, with the notable exception of Root Down…

Johnny Smith - The Johnny Smith Foursome Vol.2 (1957) {2017 Japan SHM-CD Jazz Masters Collection 1200 Series WPCR-29211}
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© 1957, 2017 Roost / Parlophone / Warner Music Japan | WPCR-29211
Jazz / Cool / Guitar

Reissue with SHM-CD format and new 24bit remastering. In 1957, Johnny Smith was at the height of his artistic power when he cut this album for the Roost label. Smith had a patented method for shifting from single-string statements of the melody line to complex chordal structures with amazing ease. This ability is put to use for each of the cuts on this album, but is especially useful on such cuts as "Angel Eyes" and "You Go to My Head." Smith's guitar also seemed to have a one of a kind resonance to it, which energized every melody he played, whether on the melody itself or when improvising, making his playing immediately recognizable.

On her most accessible album yet, Kaitlyn Aurelia Smith draws out the organic qualities of her Buchla modular synth. But The Kid sparks a bodily pleasure alongside her music’s cerebral delights.

Jimmy Smith - The Complete Sermon Sessions (2009) {2CD Set Groove Hut Records–Blue Note rec 1957-1958}
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© 1957-58, 2009 Blue Note / Groove Hut Records | GH 66712
Jazz / Hard Bop / Soul Jazz / Organ Hammond B-3

2009 release from the Jazz great containing Smith's complete classic Sermon sessions, in chronological order, together for the first time ever on a single set. These are his only preserved collaborations with Lee Morgan, the formidable trumpet player whose life came to a tragic end after being shot by his girlfriend at the tender age of 33. Tenor saxophonist Tina Brooks is also featured here. The outstanding reedman would pass away at the age of 42 after a life of drug addiction and self abuse. The great Jimmy Smiths was a Jazz musician whose performances on the Hammond B-3 electric organ helped to popularize this instrument.