What would Louis Armstrong sound like if he were a contemporary artist? Probably Jumaane Smith… acclaimed Trumpeter, Vocalist, and long-time bandmember/featured guest artist with Michael Buble. Comprised of original works and new arrangements by Jumaane Smith, this deeply emotional album seamlessly traverses jazz, blues, and contemporary soul, with nostalgic echoes of classic albums from those genres. Smith has performed on 5 GRAMMY Award-winning records (selling more than 60 million copies), 2 Emmy Award-nominated TV performances, the GRAMMY Awards with Stevie Wonder, in Steven Spielberg's West Side Story (trumpet solo actor), at The White House, on the Today Show, Tonight Show, Oprah, Good Morning America, and American Idol. He has worked with musical legends such as Quincy Jones, Herbie Hancock, Aretha Franklin, Christian McBride, Kamasi Washington, Alicia Keys, Jon Batiste, and many more.
American composer Stuart Saunders Smith is an enigma among late-20th century composers in that he has forsaken the notion of interiority in his music. This gorgeous sampling of his work, which is finally becoming known throughout the United States and in Europe, reveals the same kind of centrality of the external as that of Ralph Vaughan Williams. Truthfully, there is no similarity to Williams other than the tenderness he imbues his compositions with. For example, in a solo for the oboist called "Hawk," the performer is made keenly aware of the shimmering glissandi, which float through the piece as if they were written as a gift to him.
The Darren Smith Band's "Keep the Spirit Alive" is meant to do just as the title says, keep the rock n' roll spirit alive and kicking. The album is stuffed to the brim with songs that focus themselves on the lighter side of life, good times, love trysts and good ol rock n roll. There's also a bitter little piece in here too but it doesn't darken the overall brighter picture. With Harem Scarem's ex-drummer turned frontman and band leader, ,he puts on a surprising show of song penning competency and a grittier take on the Harry Hess vocal sound. Maybe a little Paul Stanley flavor is thrown in here and there. His vocal prowess should not come as a shock, afterall he crooned the lead vocals on "Sentimental BLVD" on Harem Scarem's "Mood Swings" album, which was superb.
Lonnie Liston Smith was 32 when, in 1973, he finally got around to recording his first album as a leader, Astral Traveling. By that time, the pianist/keyboardist had a great deal of sideman experience under his belt, and this superb debut made it clear that former employers like Pharoah Sanders, Rahsaan Roland Kirk, Gato Barbieri, and Betty Carter had taught him well. One hears a lot of Sanders, John Coltrane, and McCoy Tyner influence on Astral Traveling; Smith obviously shares their passion for all things spiritual. Nonetheless, this LP leaves no doubt that the improviser is very much his own man and has a wealth of brilliant ideas of his own; thankfully, he has a cohesive band to help him carry them out.
Coursing through the cosmic pulse of Jazz-Funk is the inimitable influence of Lonnie Liston Smith. For over five decades, the legendary keyboardist and bandleader has been a driving force in shaping the genre's sound. Smith made his recording debut as a sideman for heavyweights Miles Davis, Pharoah Sanders, Gato Barbieri and Leon Thomas. He later formed his own ensemble, Lonnie Liston Smith and the Cosmic Echoes which delivered an incredible run of classic albums through the 1970s. His music has served as the foundation for immortal hip-hop samples and ecstatic dancefloor revelry. In late February 2020, Smith headlined Jazz Is Dead’s Black History Month series, giving many jazz fans what would be their last taste of live music before the nightmare of COVID-19 that took over in the weeks that followed. Now, he reunites with Jazz Is Dead to deliver Lonnie Liston Smith JID017 - a full-bloom tribute to the multitude of sonic strains that all lead back to the fingertips of the maestro himself.