Smith Carta

David Virelles presents an eagerly awaited debut album with this superb trio on Intakt Records. Born in Santiago de Cuba, the pianist and composer has established himself on the international jazz scene with his Afro-Cuban influenced keyboard artistry and has made a name for himself with numerous collaborations with artists such as Henry Threadgill, Andrew Cyrille, Chris Potter, Wadada Leo Smith, Tom Harrell, Milford Graves and Ravi Coltrane, among others. Eight of the nine compositions on Carta are penned by Virelles and all open doors to free interpretation and development. Oscillating between composition and improvisation, this trio brings together three of the most influential voices in contemporary US jazz. Carta was recorded at the legendary Rudy van Gelder Studio, and in lieu of liner notes, poet Malik Crumpler has contributed a poem inspired by the music on the album and by his conversations with the musicians.

In the winter of 2012/13, the Haus der Kunst in Munich – one of Europe’s most important museums for contemporary art – hosted the exhibition ECM – A Cultural Archaeology. The goal of curators Okwui Enwezor and Markus Müller was to show the range of the label’s artistic endeavours in music, graphic art, and photography and its creative interchanges with film, theatre and literature. For this exhibition, Manfred Eicher and Steve Lake created this box-set accentuating directions in ECM's rich musical history. Many themes and streams are touched upon here including the range of composition in the New Series, music for and from films, imaginative historical reconstructions, trans-cultural music, ambient minimalism, and jazz and improvisation of many hues, in a collection with a playing time of more than seven hours.

Having played straightforward hard rock with Mr. Big since the tail end of the '80s, bass virtuoso Billy Sheehan formed Niacin as an outlet for his jazz fusion and prog rock inclinations during the mid-'90s. The trio also featured keyboardist John Novello and drummer Dennis Chambers, both musicians who had crossed frequently between the worlds of jazz and rock during their careers. With Niacin, Novello devoted himself especially to the Hammond B-3 organ, a longtime mainstay of both jazz and prog rock.