The grotesque cover illustration is an abomination, but the contents are right in the growling grizzly bear style that we've come to expect. Only four Seals-penned originals, but the R&B-laced "Life Is Hard" and "I'm Gonna Take It All Back" are quality efforts. So is his heartfelt tribute to Hound Dog Taylor, "Sadie".
Revered band Son Volt pay homage to the legendary Doug Sahm on the new album Day Of The Doug. Son Volt founder Jay Farrar’s goal with this 12-song collection was not only to pay tribute to Sahm’s music and influence, but to also highlight some of the deeper tracks in his heralded canon, specifically from a prolific period during the late 1960s through the 1970s. It’s a celebration of a songwriter and performer whose work forged country, Tex-Mex, rock, rhythm and blues, folk, and psychedelia into an utterly unique American sound.
Forever on My Mind, the new album of previously unreleased Son House recordings from Easy Eye Sound, the independent label operated by Dan Auerbach of The Black Keys, is the premiere release from Waterman’s personal cache of ’60s recordings by some of the titans of Delta blues. His collection of quarter-inch tapes — which are being restored to remarkable clarity by Easy Eye Sound — have gone unreleased until now.
Son Seals 1991 Alligator release "Living In The Danger Zone" is arguably one of Seal's finest studio releases to date. His best live performances being "Live and Burning" and "Spontaneous Combustion". Like the live disc's, Danger Zone features and abundance of gritty vocals and piercing guitar solo's in the style of Albert King. The songs on the disc range from the humorous "Frigidaire Woman" to the slow blues number "Danger Zone" to the funky "Bad Axe" to a ballad like "My Life". Seal's is a natural for the blues. He was born in Osceola Arkansas and, as a child, spent much of his time in his dad's juke joint surrounded by the likes of Albert King, Sonny Boy Williamson and Robert Nighthawk. About four years after recording this CD his wife shot him in the face. He would survive that trauma only to later have his leg amputated due to complications from diabetes. As the saying goes, you got to live the blues to play the blues.
This collection spotlights the great Delta bluesman Son House at three distinct points in his life. Included here are three of his 78s issued in the 1930s by Paramount Records, several of the Library of Congress field recordings done by Alan Lomax in 1941-1942, and a sampling of rediscovered 1960s concert pieces, including a riveting version of Blind Willie Johnson's "John the Revelator." All of this material is available elsewhere, but having examples of these different eras all on one disc makes this set a nice introduction to the full sweep of House's recorded legacy.