Song yi Jean Quintet

Song Yi Jeon, Vinicius Gomes - Home (2022) [Official Digital Download 24/96]

Song Yi Jeon, Vinicius Gomes - Home (2022)
FLAC (tracks) 24-bit/96.0 kHz | Time - 49:23 | 835 MB
Studio Master, Official Digital Download | Artwork: Front cover+digital booklet

A collaboration between vocalist Song Yi Jeon and guitarist Vinicius Gomes, 2022's Home showcases the duo's gorgeously enveloping blend of Brazilian, classical, and ECM-style jazz. Born in South Korea, Jeon has made her home in Switzerland for much of her career.
Jean-Baptiste Dupont - Jean-Baptiste Dupont: Improvisations (2019/2020)

Jean-Baptiste Dupont - Jean-Baptiste Dupont: Improvisations (2019/2020)
WEB FLAC (tracks+booklet) - 268 MB | Tracks: 19 | 77:39 min
Style: Classical | Label: HORTUS

Approaching listening to a improvisation disc is by definition a "terra incognita". The sound universe of Jean-Baptiste Dupont is so original and personal that it captivates the listener with a spontaneous and apparently unexpected speech. It is undoubtedly with this that one expects to be touched, or in any case hooked, by a world which is alternately effervescent and dreamy.
Jean-Pierre Rampal - Complete Erato Recordings Vol. II (1963-1969) [20 CD Box Set] (2015)

Jean-Pierre Rampal - Complete Erato Recordings Vol. II (1963-1969) [20 CD Box Set] (2015)
MP3 CBR 320 kbps | Run Time: 22:38:44 | 5,05 Gb
Genre: Classical, Flute | Label: Rhino Warner Classics

Jean-Pierre Rampal is often considered the greatest flutist of the modern era. In addition to his exceptional talent, he raised the flute to unprecedented solo status, popularizing the flute literature, the flute recital and flute recordings. The rediscovery of the Baroque, Classical and Romantic repertoire for the flute is one of his outstanding achievements, as well as his numerous collaborations with composers; over 100 works have been written for and premiered by him. He recorded for Erato from the mid-1950s, with many discs receiving awards internationally. This is the second of four boxed sets comprising the complete Erato recordings (1954 to 1982) and the complete HMV recordings (1952-1976), gathered together for the first time. The set ranges from the masterpieces of Mozart, Handel and Bach to modern repertoire by Damase and Arma.
Jean-Efflam Bavouzet & Swedish Chamber Orchestra - Beethoven: Piano Concertos (2020) [Official Digital Download 24/96]

Jean-Efflam Bavouzet & Swedish Chamber Orchestra - Beethoven: Piano Concertos (2020)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 188:58 minutes | 2,76 GB
Classical | Label: Chandos Records, Official Digital Download

Following his acclaimed recording of sonatas by contemporaries of Beethoven, Jean-Efflam Bavouzet further celebrates the great composer’s anniversary year with this set of the complete Piano Concertos.
The Gaudier Ensemble - Jean Francaix - Chamber Music: L'heure du berger; Divertissement; Clarinet Quintet; A huit (1998)

The Gaudier Ensemble - Jean Françaix: Chamber Music (1998)
L'heure du berger; Divertissement; Clarinet Quintet; A huit

EAC | FLAC | Image (Cue&Log) ~ 241 Mb | Mp3 (CBR320) ~ 144 Mb | Scans included
Genre: Classical, Chamber | Label: Hyperion | # CDA67036 | Time: 01:02:35

Jean Françaix: a quintessentially French composer following in the tradition of Saint-Saëns, Poulenc and Satie; composer of some one-hundred-and-fifty works; and virtuoso pianist in his own right. The four works on this recording were composed between 1942 (the Divertissement—very much a 'distraction' during the Nazi Occupation of France) and 1977 (the Clarinet Quintet). All four share a high degree of compositional mastery, but this is always embedded within an air of grace, of profound charm, and of wit. It is perhaps this sense of humour which has so endeared Françaix's music to generations of musicians and music-lovers. But despite the facts that L'heure du berger was composed in honour of a Parisian restaurant who were to use it as 'background' music, that Françaix self-deprecatingly passed off A huit as a 'stop-gap to fill a programme' for the Vienna Octet, and that the Divertissement contains unashamedly blatant musical jokes, these compositions are unmistakably the work of an expert, a distinctively 'Gallic' artist.
Jean-Efflam Bavouzet, Swedish CO - Beethoven: The Piano Concertos; Quintet for Piano and Winds (2020) MCH SACD ISO+DSD64+FLAC

Jean-Efflam Bavouzet, Swedish Chamber Orchestra - Beethoven: The Piano Concertos / Quintet for Piano and Winds (2020)
3x SACD ISO | DST64 2.0 & 5.0 > 1-bit/2.8224 MHz | 188:59 minutes | Digital Booklet | 8,88 GB
or DSD64 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Digital Booklet | 4,29 GB
or FLAC 2.0 (converted with foobar2000 to tracks) 24bit/96 kHz | Digital Booklet | 3,53 GB
Features Stereo and Multichannel Surround Sound | Label: Chandos # CHAN 5273

Following his acclaimed recording of solo sonatas by contemporaries of Beethoven, Jean-Efflam Bavouzet releases the complete Beethoven Piano Concertos as pianist and director with the Swedish Chamber Orchestra. Directing the Swedish Chamber Orchestra from the keyboard, Jean-Efflam writes: ​"For the pianist there is also the delight of appearing face to face with the entire orchestra, in direct visual communication, the musicians perhaps more likely to take personal initiatives, thus multiplying the pleasure of a genuine participation, dialogue, and musical exchange". The cadenzas used in this recording are all Beethoven’s, from the set that he wrote out in 1809, and so are contemporaneous with the Fifth Concerto. The recording includes the Quintet for Piano and Winds, Op. 16.
Jean-Efflam Bavouzet, Swedish CO - Beethoven: The Piano Concertos; Quintet for Piano and Winds (2020) MCH SACD ISO+DSD64+FLAC

Jean-Efflam Bavouzet, Swedish Chamber Orchestra - Beethoven: The Piano Concertos / Quintet for Piano and Winds (2020)
3x SACD ISO | DST64 2.0 & 5.0 > 1-bit/2.8224 MHz | 188:59 minutes | Digital Booklet | 8,88 GB
or DSD64 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Digital Booklet | 4,29 GB
or FLAC 2.0 (converted with foobar2000 to tracks) 24bit/96 kHz | Digital Booklet | 3,53 GB
Features Stereo and Multichannel Surround Sound | Label: Chandos # CHAN 5273

Following his acclaimed recording of solo sonatas by contemporaries of Beethoven, Jean-Efflam Bavouzet releases the complete Beethoven Piano Concertos as pianist and director with the Swedish Chamber Orchestra. Directing the Swedish Chamber Orchestra from the keyboard, Jean-Efflam writes: ​"For the pianist there is also the delight of appearing face to face with the entire orchestra, in direct visual communication, the musicians perhaps more likely to take personal initiatives, thus multiplying the pleasure of a genuine participation, dialogue, and musical exchange". The cadenzas used in this recording are all Beethoven’s, from the set that he wrote out in 1809, and so are contemporaneous with the Fifth Concerto. The recording includes the Quintet for Piano and Winds, Op. 16.
Quatuor Modigliani, Andrea Hill, Jean-Frédéric Neuburger - Brahms: Piano Quintet, Zwei Gesange, Op. 91 (2011)

Quatuor Modigliani, Andrea Hill, Jean-Frédéric Neuburger - Brahms: Piano Quintet, Zwei Gesange, Op. 91 (2011)
EAC | FLAC (image+.cue, log) | Covers Included | 52:59 | 253 MB
Genre: Classical | Label: Mirare | Catalog: MIR 130

Brahms' only Piano Quintet in F minor, Op. 34, had a turbulent history before finally taking its rightful place as one of the composer's most sublime chamber works. The quintet began its life as a string quintet; pressure coming from Brahms' friends eventually saw the string quintet's score destroyed in place of a sonata for two pianos. Though Brahms was fond of this version, further suggestions found hard at work on a third and final change in instrumentation, which resulted in the work we know today. At only 31 years of age, the sophistication found in this score is nothing short of profound. Brahms varies the voicing to achieve a nearly symphonic sound on one end and a tenderly intimate chamber feeling on the other.
Isabelle Faust, Anne-Katharina Schreiber, Antoine Tamestit, Jean-Guihen Queyras & Alexander Melnikov - Schumann (2023) [24/192]

Isabelle Faust, Anne-Katharina Schreiber, Antoine Tamestit, Jean-Guihen Queyras & Alexander Melnikov - Schumann: Piano Quartet - Piano Quintet (2023)
FLAC (tracks) 24-bit/192 kHz | Front Cover & Digital Booklet | Time - 54:40 minutes | 1,91 GB
Classical | Label: harmonia mundi, Official Digital Download

In his Piano Quartet and Quintet, Schumann revisited the frameworks inherited from Schubert and Beethoven to create astonishingly innovative structures. Their grandiose musical and emotional gestures place these works among his supreme achievements. The prestigious artists assembled here, with their extensive experience of performing Schumann’s chamber music and concertos, do full justice to his imaginative world.
Doug Sahm & The Sir Douglas Quintet - The Complete Mercury Masters (2005)

Doug Sahm & The Sir Douglas Quintet - The Complete Mercury Masters (2005)
WEB FLAC (tracks) - 2 GB | MP3 CBR 320 kbps - 803 MB
5:42:15 | Blues Rock, Country Rock, Pop Rock, Psychedelic Rock | Label: Island Def Jam

Doug Sahm is one of the great figures in 20th century American music, which isn't quite the same thing as saying he's one of the best-known musicians. As the frontman of the Sir Douglas Quintet, he had a Top 20 hit with the garage rock classic "She's About a Mover" in 1966 and a Top 30 single with "Mendocino" three years later, but after that he settled into a small but intensely devoted cult following. Not that there weren't attempts to break him on a wider scale – after the Quintet broke up, Atlantic launched a publicity blitz for a pair of solo albums in 1973 – but they never quite clicked, probably because Sahm's music, no matter how brilliant it was, never was popular music. It was a wild, wooly blend of rock & roll, soul, country, blues, and Tex-Mex, as informed by the sunny vibes of hippiedom as it was by the rowdy spirit of garage rock. Sahm created this sound with the Sir Douglas Quintet in the late '60s and over the next three decades he never strayed from it, but those records that the band released between 1968 and 1971 (plus 1973's rarities round-up Rough Edges) remained at the core of his legacy, and for good reason: not only did they illustrate the breadth and depth of Sahm's ambition, they're simply dynamic rock & roll, truly visionary American roots music.