Sonic il Film

Escobar - Il Fascino del male, il film diretto da Fernando León de Aranoa, è basato sul best seller di Virginia Vallejo "Loving Pablo, Hating Escobar" e racconta la vita di Pablo Escobar, questa volta interpretato da Javier Bardem. Il film prende le mosse dall'ascesa criminale di Escobar e arriva fino al 1993, anno della sua morte. Un percorso che si snoda lungo la vita privata e professionale del narcotrafficante, ripercorrendo i turbolenti anni Ottanta, il periodo del narcoterrorismo, la lotta contro la possibile estradizione negli Stati Uniti e il rapporto con la giornalista Virginia Vallejo (Penélope Cruz).

Il Presidente, il film diretto da Santiago Mitre, segue la storia del presidente argentino Hernán Blanco (Ricardo Darín), coinvolto in un caso di corruzione che riguarda sua figlia, durante un vertice che riunisce i capi di Stato latinoamericani in un hotel isolato sulle Ande - En una cumbre de presidentes latinoamericanos en Chile, donde se trazan las estrategias geopolíticas y las alianzas, Hernán Blanco, el presidente de Argentina, atraviesa un drama político y familiar. Está implicado en un caso de corrupción a través de su yerno.

Il film prende le mosse dall'ascesa criminale di Escobar e arriva fino al 1993, anno della sua morte. Un percorso che si snoda lungo la vita privata e professionale del narcotrafficante, ripercorrendo i turbolenti anni Ottanta, il periodo del narcoterrorismo, la lotta contro la possibile estradizione negli Stati Uniti e il rapporto con la giornalista Virginia Vallejo (Penélope Cruz) - In 1981, Virginia Vallejo is a famous Colombia's journalist and TV news anchorwoman who is invited to a VIPs party in the ranch of Pablo Escobar, a low-born man who gained money and power with drug trafficking together his friends, turning them in the new generation of rich men of the country.

Un sacerdote americano, Maurizio (Matthau), viene chiamato per esorcizzare un'anziana parrucchiera di nome Giuditta. Durante l'esorcismo dal corpo della donna esce un diavoletto (Benigni) che afferma di essere Giuditta. Per il povero Maurizio incomincia una serie di guai, perché il …

Legendary filmmaker Peter Whitehead was at the heart of Swinging London, chronicling the youth explosion, the burgeoning popular music scene and the counterculture of the 1960s. In March the National Film Theatre hosted a comprehensive retrospective of his work. This DVD features two of his films; Wholly Communion (1965) and Benefit of the Doubt (1967), coupled with a new interview with Peter and additional rare footage. With over three hours of material, Peter Whitehead and the Sixties is a fascinating document of the radical, experimental, literary and theatrical scenes of 60s London.

It's time once again for film noir fans rejoice with 9 additional major studio film noirs, this time from the period 1954-1956: "Bait" (1954), "The Crooked Web" (1955), "The Night Holds Terror" (1955), "Footsteps in the Fog" (1955), "Cell 2455, Death Row" (1955), "5 Against the House" (1955), "New Orleans Uncensored"(1955), "Spin a Dark Web" (1955), "Rumble on the Docks" (1956)

Established in 1946, the Central Office of Information (COI) was a successor to the wartime Ministry of Information and was responsible for producing thousands of films which celebrated Britain, its people and their achievements.

The Central Office of Information (COI) was established in April 1946 and has produced thousands of films that reflected the culture and concerns of the nation. Volume one of the COI collection tackles crime, juvenile delinquency, policing and the justice system. A variety of styles and genres – story documentary, drama, public information shorts – are employed to deliver crime prevention messages and bolster recruitment in this area. The wonderful selection of films on this two disc set have been newly transferred to high definition from the original film elements. An accompanying booklet provides comprehensive notes and essays from academics and film historians.

Shadows of Progress is a landmark collection, bringing together for the first time over 14 hours of film material preserved in the BFI National Archive, telling the previously untold story of British documentary filmmaking through the 1950s, 60s and 70s.

Charlie Chaplin joined Mack Sennett’s Keystone Film Company in late 1913 after being seen in Fred Karno’s touring vaudeville troupe. After a few initial uneasy steps, his rise was meteoric — making 35 films in a single year, directing more than half of them, and developing his much-loved persona, the Tramp.