Sonic Youth Goo

Goo is a 1991 major label debut album by New York alterna- rockers Sonic Youth. They made music videos for each song on the album and compiled it for release, some of them ("Dirty Boots", "Kool Thing") done with finances from their record label (DGC/Geffen), others done independently, with one or two done by themselves. While these videos have been formally released as part of a compilation DVD, this is taken from the high quality laserdisc.

"Goo" was the sixth studio album by alternative rock group Sonic Youth and their first for a major label. Its lead single, "Kool Thing" made it to the number 7 spot on the singles chart and featured Chuck D of Public Enemy, the record also features the singles "Disappearer" and "Dirty Boots".

"Dirty" was the band's seventh studio album recorded with producer Butch Vig and engineer Andy Wallace, spawning the singles "100%," "Youth Against Fascism" and "Sugar Kane". Rolling Stone declares "Dirty is a great Sonic Youth disc, easily ranking with Daydream Nation and Sister among the band's most unified and unforgettable recorded works".

Deluxe Edition 2 CD set features 35 tracks including b-sides and previously unreleased versions. Sonic Youth's second major-label album, produced and mixed by Butch Vig and Andy Wallace (a team that had helped turn Nirvana's NEVERMIND multi-platinum) was not the barefaced bid for mainstream acceptance that surly underground souls grumbled about in the pages of fanzines. While Vig and Wallace give guitarists Thurston Moore and Lee Ranaldo, bassist Kim Gordon, and phenomenal drummer Steve Shelley a wide-screen panorama for their bizarrely-tuned assaults, DIRTY is probably Sonic Youth's most uncompromising album since 1985's BAD MOON RISING–particularly in the lyrical department. Dropping the deliberate obscurantism, Philip K. Dick references, and smart-alecky snottiness, Sonic Youth brackets a slew of pointed political attacks ("Youth Against Fascism," "Swimsuit Issue," and the Jesse Helms-bashing "Chapel Hill") with two passionate tributes to the band members' murdered friend, Joe Cole ("100%" and "JC"). That DIRTY is Sonic Youth's most commercial-sounding album makes it that much more subversive.

In the promotional materials that accompany Live in Brooklyn 2011, Sonic Youth guitarist Lee Ranaldo says "It was a pretty magical, if kinda weird day." As far as understatements go, that one's a pretty rich double whammy. When Sonic Youth took the stage at the Williamsburg Waterfront on August 12, it was not only their last U.S. show ever, but it was also a band that was imploding before the crowd's eyes. The marriage of Kim Gordon and Thurston Moore—a relationship which had been both a creative and personal fulcrum of the band's entire history—was ending in a spectacularly acrimonious way, and two months later, the two would announce their separation after 27 years of marriage.

Sonic Youth's 2004 release Sonic Nurse followed Murray Street and together the two are considered by many fans as among the band's best work. These songs mark a return to form for the group, reminiscent of the Sonic Youth of the late 1980s, but honed by several years of experience.

Considered one of the band's best albums, Sonic Youth's 2002 release Murray Street is named for the location of the group's studio in New York City, only two blocks from the World Trade Center. The terrorist attacks of 9/11 occurred during the writing and recording of this album, which therefore reflects the turmoil and uncertainty of the times. Murray Street also marks the beginning of Grammy-winning producer and guitarist Jim O'Rourke's six year stint as a member of Sonic Youth.

Sonic Youth's ninth album "Washing Machine" is the first record to almost exclusively feature Kim on guitar rather than bass, and contains some of their lengthiest material since "Goo" and "Daydream Nation", including the epic "The Diamond Sea" which drifts onward for an unprecedented 20 minutes, still the longest track on any SY album (excluding the SYR releases). Incidentally, "The Diamond Sea" would prove to be one of the band's most popular songs, and it along with SY's headlining spot on the summer Lollapalooza tour would introduce legions of new fans to their music.