Springbreak 2019 Miami

Miami Vice - OST (2006)
MP3 | 207 Kbps avg | 1h 13min total | Label: Atlantic

Miami Sound: Rare Funk & Soul From Miami, Florida 1967-1974 is a compilation CD released in 2003 by the Soul Jazz label. It focuses on the great soul and funk music of Miami, featuring songs by well known artists like George McCrae, wife Gwen McCrae, Clarence Reid, and Little Beaver plus those who may have been known in small circles.

A side features Toro y Moi, B side features Khruangbin.
It’s only fitting that Khruangbin’s first-ever official live releases would be albums paired with their tourmates: artists whose music they love and admire, friends who’ve become family along the way. Khruangbin’s series of live LPs traces just one small slice of the band’s flight plan through the years: it’s a taste of some of their most beloved cities, stages and nights. Each release comes with a limited-edition unique album cover exclusive for the recording’s home turf, just a little something extra for the fans that bring a little something extra. Most of all, this series ignites both sides of the band’s magic: the warm, prismatic feeling of their albums and the bewitching energy of their performances.

Soul Jazz Records’ new Miami Sound 2 is a superlative collection of 70s soul, funk, disco and boogie featuring tracks from legendary artists such as Betty Wright, Timmy Thomas, Gwen McRae, Milton Wright, T-Connection and many more, all released on the mighty TK Records musical empire based in Miami, Florida.

Primitive Love is the ninth studio album and second English-language record by the Miami Sound Machine, released in August 1985, by Epic Records. This album was a follow-up to the band's previous releases in every sense; in the music, in rhythms and in Gloria Estefan's vocals. Previous releases by Miami Sound Machine had failed to achieve much in the way of crossover success. However, with the release of Primitive Love in 1985, their distinctive sound was finally being heard by a wider audience, both in the United States and abroad. This album was the band's first appearance on the American albums chart, reaching #23 on the Billboard 200.

Like other releases from the U.K.-based Soul Jazz label – such as Philadelphia Roots or New Orleans Funk – the 17-track Miami Sound: Rare Funk & Soul from Miami Florida 1967-1974 prides itself on its obscurity, digging out tracks that have been lost to all but the fanatically dedicated collector. That's Soul Jazz's stock in trade: They occasionally feature hits, but they're regional hits, and none of the material on any of their collections is readily available on CD. While there's the occasional feeling that sides are chosen for obscurity's sake, it's often overshadowed by the consistency of the material; it all sounds of a piece, due to the compilers' expert ears and their desire to hold the groove above all other considerations. This is appropriate especially for Miami Sound, since the city's soul was as groove-oriented as New Orleans, but considerably more splashy, stylish, streamlined, hard, and sleek – the kind of grooves that work really well as recordings, which is why this may be the best installment yet of Soul Jazz's soul-oriented compilations. Each cut here has a bright neon glow and deep danceability that point the way to disco, and while that can sometimes get a little samey on the instrumentals – with the notable exception of Timmy Thomas' rampaging "Funky Me," whose beat even points the way toward electro – what makes this collection a real delight is the abundance of great songs. Little Beaver is deservedly a respected cult figure and George and Gwen McCrae are both represented with good early cuts, but the real finds are Joey Gilmore's deep soul, Frank Williams & the Rocketeers' vocal sides, and especially James Knight & the Butlers, whose two tracks, "Save Me" and "Fantasy World," are pure dynamite, a pair of the best unheard soul of the '70s and reason enough to get this collection.

Let It Loose/Anything for You is the 10th studio album by Gloria Estefan and Miami Sound Machine, released in 1987. It is the first studio album credited to Estefan as a solo artist, but is her 10th album overall including her work with Miami Sound Machine. The album was re-released under a new title Anything for You and new cover art in Europe, South Africa, Australia and New Zealand, starting in October 1988 through early 1989. To date the album has sold more than 8 million copies worldwide.