As the liner notes to this intriguing release tell, Faithfull had a long-simmering interest in German cabaret, particularly the work of Kurt Weill. It came fully to life via her role as Pirate Jenny in a staging of The Threepenny Opera in Dublin as translated by Frank McGuinness and her attendance at a workshop organized by Allen Ginsburg. After a series of initial performances with pianist Paul Trueblood, Faithfull took her revue of many classic songs from the mid-century, titled "An Evening in the Weimar Republic," to the road…
Digitally remastered, enhanced and expanded deluxe two CD edition of her 1979 album. Disc One contains the original album as an enhanced disc. Disc Two contains the entire original mix of the album which was thought to have been lost but surfaced during the tape research for this Deluxe Edition. Also included are a re-record of "Sister Morphine" only previously available on the Marianne Faithfull anthology, Perfect Strangers and four bonus tracks in the form of the 7" and 12" mixes of "Broken English" and "Why'd Ya Do It ?", which appear on CD for the very first time. Universal.
A unique new album of poetry and music featuring Marianne Faithfull, set to the music of Warren Ellis, and featuring Nick Cave, Brian Eno and Vincent Ségal.
This box collects several recordings of Satie's piano music by Dutch pianist Reinbert de Leeuw, going back as far as 1977, with an English-language DVD (not reviewed, but the idea is attractive) including a fictionalized presentation of Satie's relationship with artist Suzanne Valadon (after they broke up, he hung in his window cataloging her faults, but the film apparently doesn't get to the fun stuff). The provenance of the music on the third CD, consisting mostly of songs and featuring soprano Marjanne Kweksilber, is unclear from the booklet, and it's a poor choice for the non-Francophone – no song texts are provided at all. The piano music from de Leeuw is another matter, however. It is immediately distinctive in its slow tempos and dreamy, rather lugubrious tone.
Marianne Faithfull celebrated her 50th anniversary in popular music with 2014’s Give My Love to London. That recording, among her best, revealed a career and life fraught with achievement, tragedy, addiction, illness, and redemption. No Exit documents that album's supporting tour. Issued in various formats, the standard edition contains an audio disc and a DVD…
These days, Aarre Merikanto (1893–1958) is one of the best-known early 20th century modernists in Finnish classical music. In his early years, he composed in the National Romantic style, but by the time he was 23, he had developed a much more progressive style. By the beginning of the 1920s, he was writing in a modern, free-tonal musical language with a strong focus on timbral colour. Merikanto himself considered his “radical” style to be innate, but we know he was in fact inspired by Debussy and Scriabin, and especially Sibelius’ Fourth Symphony. After moving from the countryside back to Helsinki in 1928, Merikanto started actively networking with other Finnish composers, which also had an effect on his music.
The Very Best of Marianne Faithfull' is a particularly strong collection of Marianne's earliest recordings made for Decca between 1964 to 1968. This album contains every one of her singles which made the charts both in Britain and America during those fruitful four years.
Mobile Fidelity reissued Marianne Faithfull's two dark milestones, 1979's Broken English and 1987's Strange Weather, on one CD. Although there were nearly ten years separating these two records, they share a moodiness and faux-torch arrangements that make them a perfect match…