Stéphanie Jouan

Jazz is an allegory for life. And for both, gaining independence is a long process. That is the narrative of IN DEPENDENCE. Stephanie Lottermoser's new album is about striving for independence in all facets of life: "There really is no such thing as complete independence. We are all integrated into structures in which we operate. Sometimes that runs through your whole life.” Musically, Stephanie Lottermoser has consistently taken her freedom from the start and has long since found an independent and recognizable language. Already with the opener "Love Again" it becomes clear: This is Stephanie Lottermoser. Stylistically, she remains true to her predecessor album "Hamburg" with her synthesis of jazz, soul, funk and pop: "In the best sense, I try to develop myself musically by working on my own sound and freeing myself from the expectations of others."

The output of Richard Flury (1896-1967), one of Switzerland’s most prolific composers, ranges from operas and ballets to symphonies, instrumental concertos, sacred and secular vocal works, chamber music and no fewer than 181 songs with piano accompaniment. These four song-cycles, written between 1920 and 1946, contain 45 of them, their concision nonetheless embracing an expansive, Romantic style of which Schumann himself might have approved. The prevailing mood is one of an open-hearted sincerity, occasionally enlivened by a dash of humour.

For her debut album, Swiss soprano Stephanie Bühlmann went in search of clues: based on personal encounters with works by her compatriots, she discovered musical treasures off the beaten track of the standard vocal repertoire. This is how the idea of an album of unknown songs by Swiss composers was born, most of which were recorded for the first time for the album 'Zauberluft'. Magic, air, love, nature, soul, peace and home are the themes of the songs, set to music in enchanting, airy, touching, stirring and comforting melodies in the late romantic tradition. The life dates of the five composers Richard Flury, Urs Joseph Flury, Paul Miche, Peter Mieg and Daniel Behle, who set texts in German and French, go from 1896 to the present day. Stephanie Bühlmann studied at the conservatories of Zurich and Lucerne. She deepened her studies in 'Lied singing' in the Liedduo class with Hartmut Höll and in collaboration with Daniel Behle. As a sought-after soloist, she can be heard regularly in opera and concert. Together with her lied partner Benjamin Engeli she presents with 'Zauberluft' a series of fascinating first recordings.

Véronique Mathieu and Stephanie Chua present INVOCATION, a collection of works for violin and piano written by female-identifying composers of unique heritages, backgrounds, and cultures. With a wide range of aesthetics and a variety of compositional eras, INVOCATION presents a collection of wonderfully animated performances that provide a fantastic model for the exploration of these composers’ works.