Star Trek Picad

This action-packed Star Trek game is based in the continuity set up in the 2009 reboot of Gene Roddenberry’s classic series by J. J. Abrams. The Star Trek video game offers a sweeping journey of epic proportions across unexplored planets and enemy battleships with the latest 23rd century weapons and gear. It boasts a story filled with action-packed…

When FSM released the long-awaited expanded edition of James Horner’s Star Trek II: The Wrath of Khan (1982) in 2009, it didn’t take a Vulcan scientist to assume that the score’s companion piece, Star Trek III: The Search for Spock (1984), might also see the light of day. FSM delivers—thanks to the good graces of Paramount Pictures and Capitol Records. James Horner’s Star Trek III continues his superlative work for the Final Frontier, with emotional developments of the B-theme (the “Enterprise theme”) and Spock’s theme from the earlier film, as well as exotic atmospheres for the all-important Vulcan mysticism that drives the story. The film’s villains, the Klingons, receive a new theme with exciting barbaric instrumentation. From the grand “space opera” setpieces (“Stealing the Enterprise,” “Bird of Prey Decloaks”) to intimate, spiritual moments (“The Mind-Meld,” “Returning to Vulcan”), Horner’s Star Trek III is one of the finest scores in the Star Trek canon.