Cellist János Starker with the complete concertante recordings he made under the baton of Walter Susskind, a conductor praised for his abilities as an accompanist and with whom Starker shared close aesthetics conceptions. Their refined, chamber rendition of masterpieces of the repertoire by Dvořák, Dohnányi or Prokofiev is a superb token of Starker’s deep inwardness.
Hungarian Cellist János Starker trained at the Franz Liszt Academy of Budapest, here the practice of chamber music was heavily encouraged. He became a highly sought-after chamber partner, leading to these wonderful renditions of Brahms sonatas with pianist György Sebők.
Starker’s complete recordings with pianist Gerald Moore. This recording's first half has been released in the past as an LP in 1959, the second half had laid dormant in the Warner Classics archive for decades then finally had been digitized and revealed in 2014! Including virtuoso pieces for cello by Popper, Saint-Saëns or Cassadó and beautiful transcriptions of Bach, Chopin or Schumann.
Le grand Janos Starker a enregistré les Suites de Bach à plusieurs reprises. Rien d'étonnant à cela puisqu'elles sont le bréviaire de tout violoncelliste. A chaque fois son engagement est total et sa réalisation à l'image de son art sobre, à la limite de l'ascétisme. Nul débordement romantique sous son archet, mais une lecture littérale avec beaucoup de respect voire de distance. Une option radicale qui peut étonner mais que nous trouvons tout à fait fascinante.
Hungarian Cellist János Starker trained at the Franz Liszt Academy of Budapest, here the practice of chamber music was heavily encouraged. He became a highly sought-after chamber partner, leading to these wonderful renditions of Brahms sonatas with pianist György Sebők.
Starker’s complete recordings with pianist Gerald Moore. This recording's first half has been released in the past as an LP in 1959, the second half had laid dormant in the Warner Classics archive for decades then finally had been digitized and revealed in 2014! Including virtuoso pieces for cello by Popper, Saint-Saëns or Cassadó and beautiful transcriptions of Bach, Chopin or Schumann.
The very idea that Manfred Mann, perhaps Great Britain's longest running rock band - other than the Rolling Stones - would have "hits" in the 21st century is rather odd and inaccurate (perhaps "hits according to who?" is the question). This set nonetheless features two CDs and 36 tracks. Virtually every single from the earliest Manfred Mann band is here, including "Do Wah Diddy Diddy," "Mighty Quinn," "5-4-3-2-1," "Sha La La," "Hubble Bubble (Toil And Trouble)," as well as wild covers of the hits of the day - because after all, Manfred Mann were, more than anything else, a cover band - "Fox on the Run," "Handbags and Glad Rags," "Just Like a Woman," "If You Gotta Go, Go Now," and of course, the tracks that put retirement money in Bruce Springsteen's bank account: "Blinded By The Light," "For You," and "Spirits In the Night"…