AT FILLMORE is the second release to document Miles' live presentation of BITCHES BREW's breakthroughs. Broken up into four parts, it shows the unprecedented growth of the same band that recorded BLACK BEAUTY just three months earlier. The addition of Keith Jarrett's organ expands the music even further over the borders that defined "jazz," creating a singular hybrid of rock, blues and jazz.
Reissue with the latest DSD remastering. Dollar Brand playing solo – but with a vibrancy that hardly makes you miss the other instruments at all! Most of the record features solo piano, but there's also a bit of bamboo flute as well – leading off the set and establishing this great organic vibe to the whole thing, which is then followed by Brand's long-spun, completely hypnotic lines on piano! The recording quality is wonderful – very clear and strong, and quite resonant too – and the set features two side-long long suites – "Africa" and "Reflection" – with shorter passages that move through the warm range of moods you'd find in Brand's other strong work from the time. Titles include "Ancient Africa", "Msunduza", "Single Petal Of A Rose", and "African Sun".
Given that Round About Midnight was Miles Davis' debut Columbia recording, it was both a beginning and an ending. Certainly the beginning of his recording career with the label that issued most if not all of his important recordings; and the recording debut of an exciting new band that had within its ranks Philly Joe Jones, Paul Chambers, pianist Red Garland, and an all but unknown tenor player named John Coltrane. The title track was chosen because of its unique rendition with a muted trumpet, debuted at the Newport Jazz Festival the summer before to a thunderous reception.
An excellent collection of rare material by this fantastic modernist piano player! The record compiles rare recordings from the years 1951 to 1966, including a few excellent solo recordings that stand as essential gems from his underrecorded career. Titles include "Ju Ju", "Pastime", "Stretch", "Dream: Paris 1965", and "Descent Into The Maelstrom". (Great Japanese pressing!) This hard-to-find LP starts off with the utterly unique title cut. On this completely atonal track (which predates Cecil Taylor by a few years), Lennie Tristano overdubbed several pianos and created picturesque and extremely intense music.
Released in 1974, Get Up With It is a follow-up to Big Fun, which appeared in the same year, offering an overview of the recent period and revealing new directions. The funk genre started with “Honky Tonk” from the Jack Johnson sessions, ran through On The Corner with “Rated X” and “Billy Preston,” and ended up in the groovy structures of “Mtume” where, with the help of the wah-wah pedal, the electrified trumpet abandoned phrasing to work exclusively on timbre and rhythm.
The album begins with " Prelude from Cello Suite", follows a series of "loose and relaxing" classical sketches, and then quietly ends with the natural sound of the waves, aiming to provide people with spiritual healing. The album contains many classic melodies that have been widely circulated.
Digitally remastered reissue of Ron Wood's album originally released in 1981. DSD remastered in 2006. Includes a special cardboard sleeve case. Every aspect of this Rolling Stone's solo album screams of superstar indulgence, from its bizarre cover shot – look, there's Ron riding a camel under some jets – to co-producer Andy Johns' fawningly surreal back cover exhortation to "don't let anybody tape it because the label needs the money." There's no chance of such an occurrence: three studios are credited – and every track boasts a different lineup.
Reissue with the latest DSD remastering. A fantastic record from vibist David Friedman – spare, hip, modern, and very moody! Friedman's playing vibes and marimba alongside David Samuels, who plays the same – and this twin-vibes approach sounds fantastic – especially as the record has no drums, just additional bass, plus flute by Hubert Laws – a very loose, open style that comes across with a completely unique sound! The approach is super-dope for any fan of laidback 70s vibes – and the tracks are never too free or way out, just gliding with this airy quality that's really wonderful – one of the best demonstrations of Friedman's great talents on record. Titles include "Truce", "Nyack", "Brite Piece", "Island", and "Saraband".
Reissue with the latest DSD remastering. This album from 1976 is widely considered as one of the best, if not THE best, four-beat jazz albums by Sadao Watanabe, the legendary Japanese saxophonist. Watanabe went to New York, met with the original Great Jazz Trio – Hank Jones, Ron Carter and Tony Williams – before the super-group became well-known for its superb recordings.