Steal Like Anartist

In 2021, the international contemporary music festival Only Connect commissioned an interpretation from I LIKE TO SLEEP of the first movement of Olivier Messiaen’s Turangalila symphony. A project which initially led to a 15-minute piece performed at the festival, with the trio re-writing the music of Messiaen, but also rewriting the music of their own. Messiaen as a reference and compositional tool may be heard in the album for those really listening for references. With “Sleeping Beauty” the trio also explore even heavier riffs than before, seasick grooves and tempi, and deeper ambient soundscapes. Through extensive improvisation, the effects and processing of the sounds are way more extreme than before, almost awakening the sleeping beauty.

In the late 80's, a group of friends who usually joined in an Amersfoort (the Netherlands) Pub to talk about music while taking some drinks shouted one day they wanted to form a band. After seven years Bert Heinen (one of the pub guys) had gathered enough material to release an album and he started to send some demos to different magazines and after a good response from Background Magazine and his lead to a contract with LaBraD'or records in 1997.
In 1998 with Bert in the Guitars, Keyboard and vocals plus Marien in drums and additional keyboards, Like Wendy releases "The Storm Inside" with a very melodic approach to Marillion, Pendragon, Pallas and IQ. The albums consisting of the demo tracks plus two new songs, was quite simple but pretty effective and received favorable comments of the critics…